{"id":1525,"date":"2024-02-28T15:19:33","date_gmt":"2024-02-28T12:19:33","guid":{"rendered":"https:\/\/theme.madsparrow.me\/mokko\/?page_id=1525"},"modified":"2026-08-16T22:36:02","modified_gmt":"2026-08-16T20:36:02","slug":"zostan-po-napisach","status":"publish","type":"page","link":"https:\/\/marcinkubicki.com\/en\/zostan-po-napisach\/","title":{"rendered":"Zosta\u0144 po napisach"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\r\n
\r\n\r\n
<\/div>\r\n \r\n
\r\n\r\n \"\"\r\n \r\n <\/div>\r\n \r\n \r\n \r\n
\r\n
\r\n

Zosta\u0144 po napisach<\/h1>\r\n <\/div>\r\n <\/div>\r\n\r\n \r\n \r\n \r\n <\/section>\r\n\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Zosta\u0144 po napisach<\/em> to ksi\u0105\u017cka o filmach, kt\u00f3ra bardzo cz\u0119sto przestaje by\u0107 ksi\u0105\u017ck\u0105 o filmach.<\/p>

\u00a0<\/p>

Zebra\u0142em w niej 250 esej\u00f3w po\u015bwi\u0119conych tytu\u0142om, kt\u00f3re z r\u00f3\u017cnych powod\u00f3w zosta\u0142y ze mn\u0105 na d\u0142u\u017cej. S\u0105 tu filmy wielkie i powszechnie uznane za klasyk\u0119, ale te\u017c rzeczy mniejsze, dziwniejsze, czasem niedoskona\u0142e. Nie pr\u00f3buj\u0119 uk\u0142ada\u0107 kolejnego kanonu kina ani przekonywa\u0107 kogokolwiek, \u017ce istnieje jedna w\u0142a\u015bciwa lista film\u00f3w, kt\u00f3re trzeba zobaczy\u0107 przed \u015bmierci\u0105. Bardziej interesuje mnie to, co zostaje z filmu, kiedy ekran ju\u017c ga\u015bnie<\/strong>.<\/p>

\u00a0<\/p>

Bo czasem zostaje scena. Czasem jedno zdanie. Piosenka z napis\u00f3w ko\u0144cowych. Aktorka, w kt\u00f3rej cz\u0142owiek zakocha\u0142 si\u0119 maj\u0105c pi\u0119tna\u015bcie lat. Miasto, do kt\u00f3rego nigdy nie pojecha\u0142. Albo niewygodne odkrycie, \u017ce po dwudziestu latach ten sam film opowiada nam ju\u017c zupe\u0142nie inn\u0105 histori\u0119.<\/p>

\u00a0<\/p>

Dlatego Zosta\u0144 po napisach<\/em> jest troch\u0119 o kinie, a troch\u0119 o pami\u0119ci, dorastaniu, mi\u0142o\u015bci, samotno\u015bci, wyborach, kt\u00f3rych dokonujemy, i tych wszystkich wersjach siebie, kt\u00f3re zostawiamy gdzie\u015b po drodze. Filmy s\u0105 tutaj punktem wyj\u015bcia. Reszta dzieje si\u0119 ju\u017c poza ekranem.<\/p>

\u00a0<\/p>

Nie znajdziesz tu ocen w gwiazdkach, technicznych analiz ani pr\u00f3b wydawania ostatecznych wyrok\u00f3w. To osobista podr\u00f3\u017c przez kino \u2013 pe\u0142na zachwyt\u00f3w, rozczarowa\u0144, sentyment\u00f3w, powrot\u00f3w i zmian zdania. Bo dobry film nie zawsze ko\u0144czy si\u0119 wraz z napisami.<\/p>

\u00a0<\/p>

Czasem w\u0142a\u015bnie wtedy zaczyna si\u0119 najciekawsza cz\u0119\u015b\u0107.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\r\n
\r\n

\r\n \t2000 film\u00f3w, od kt\u00f3rych to si\u0119 zacz\u0119\u0142o <\/h1>\r\n <\/div>\r\n \r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
TYTU\u0141<\/th>ROK<\/th>\n<\/tr>\n<\/thead>\n
A Trip to the Moon<\/td>1902<\/td>\n<\/tr>\n
The Vampires<\/td>1915<\/td>\n<\/tr>\n
Intolerance: Love's Struggle Throughout the Ages<\/td>1916<\/td>\n<\/tr>\n
I Accuse<\/td>1919<\/td>\n<\/tr>\n
The Cabinet of Dr. Caligari<\/td>1920<\/td>\n<\/tr>\n
One Week<\/td>1920<\/td>\n<\/tr>\n
The Phantom Carriage<\/td>1921<\/td>\n<\/tr>\n
The Kid<\/td>1921<\/td>\n<\/tr>\n
Dr. Mabuse, the Gambler: Part 2 \u2013 Inferno<\/td>1922<\/td>\n<\/tr>\n
Dr. Mabuse, the Gambler: Part 1 \u2013 The Great Gambler<\/td>1922<\/td>\n<\/tr>\n
The Witch<\/td>1922<\/td>\n<\/tr>\n
Nosferatu: A Symphony of Horror<\/td>1922<\/td>\n<\/tr>\n
Safety Last!<\/td>1923<\/td>\n<\/tr>\n
The Wheel<\/td>1923<\/td>\n<\/tr>\n
The Faithful Heart<\/td>1923<\/td>\n<\/tr>\n
Our Hospitality<\/td>1923<\/td>\n<\/tr>\n
Sherlock Jr.<\/td>1924<\/td>\n<\/tr>\n
Greed<\/td>1924<\/td>\n<\/tr>\n
Siegfried's Death<\/td>1924<\/td>\n<\/tr>\n
The Last Laugh<\/td>1924<\/td>\n<\/tr>\n
Kriemhild's Revenge<\/td>1924<\/td>\n<\/tr>\n
The Great White Silence<\/td>1924<\/td>\n<\/tr>\n
He Who Gets Slapped<\/td>1924<\/td>\n<\/tr>\n
The Gold Rush<\/td>1925<\/td>\n<\/tr>\n
Battleship Potemkin<\/td>1925<\/td>\n<\/tr>\n
Strike<\/td>1925<\/td>\n<\/tr>\n
Seven Chances<\/td>1925<\/td>\n<\/tr>\n
The Big Parade<\/td>1925<\/td>\n<\/tr>\n
Faust: A German Folk Legend<\/td>1926<\/td>\n<\/tr>\n
The General<\/td>1926<\/td>\n<\/tr>\n
M\u00e9nilmontant<\/td>1926<\/td>\n<\/tr>\n
The Adventures of Prince Achmed<\/td>1926<\/td>\n<\/tr>\n
A Page of Madness<\/td>1926<\/td>\n<\/tr>\n
Metropolis<\/td>1927<\/td>\n<\/tr>\n
Abel Gance's Napoleon<\/td>1927<\/td>\n<\/tr>\n
Sunrise: A Song of Two Humans<\/td>1927<\/td>\n<\/tr>\n
The Unknown<\/td>1927<\/td>\n<\/tr>\n
7th Heaven<\/td>1927<\/td>\n<\/tr>\n
The Crowd<\/td>1928<\/td>\n<\/tr>\n
The Cameraman<\/td>1928<\/td>\n<\/tr>\n
The Wind<\/td>1928<\/td>\n<\/tr>\n
The Circus<\/td>1928<\/td>\n<\/tr>\n
The Last Command<\/td>1928<\/td>\n<\/tr>\n
The Fall of the House of Usher<\/td>1928<\/td>\n<\/tr>\n
The Docks of New York<\/td>1928<\/td>\n<\/tr>\n
Steamboat Bill, Jr.<\/td>1928<\/td>\n<\/tr>\n
Lonesome<\/td>1928<\/td>\n<\/tr>\n
The Man Who Laughs<\/td>1928<\/td>\n<\/tr>\n
The Passion of Joan of Arc<\/td>1928<\/td>\n<\/tr>\n
Man With a Movie Camera<\/td>1929<\/td>\n<\/tr>\n
Diary of a Lost Girl<\/td>1929<\/td>\n<\/tr>\n
Lucky Star<\/td>1929<\/td>\n<\/tr>\n
Pandora's Box<\/td>1929<\/td>\n<\/tr>\n
A Cottage on Dartmoor<\/td>1929<\/td>\n<\/tr>\n
End of the Earth<\/td>1929<\/td>\n<\/tr>\n
My Grandmother<\/td>1929<\/td>\n<\/tr>\n
An Andalusian Dog<\/td>1929<\/td>\n<\/tr>\n
All Quiet on the Western Front<\/td>1930<\/td>\n<\/tr>\n
City Girl<\/td>1930<\/td>\n<\/tr>\n
The Blue Angel<\/td>1930<\/td>\n<\/tr>\n
Swing You Sinners!<\/td>1930<\/td>\n<\/tr>\n
M<\/td>1931<\/td>\n<\/tr>\n
City Lights<\/td>1931<\/td>\n<\/tr>\n
Limite<\/td>1931<\/td>\n<\/tr>\n
Dishonored<\/td>1931<\/td>\n<\/tr>\n
Tabu: A Story of the South Seas<\/td>1931<\/td>\n<\/tr>\n
I Am a Fugitive From a Chain Gang<\/td>1932<\/td>\n<\/tr>\n
Freaks<\/td>1932<\/td>\n<\/tr>\n
Trouble in Paradise<\/td>1932<\/td>\n<\/tr>\n
Vampyr<\/td>1932<\/td>\n<\/tr>\n
I Was Born, But...<\/td>1932<\/td>\n<\/tr>\n
Scarface<\/td>1932<\/td>\n<\/tr>\n
Wooden Crosses<\/td>1932<\/td>\n<\/tr>\n
Love Me Tonight<\/td>1932<\/td>\n<\/tr>\n
The Testament of Dr. Mabuse<\/td>1933<\/td>\n<\/tr>\n
Duck Soup<\/td>1933<\/td>\n<\/tr>\n
King Kong<\/td>1933<\/td>\n<\/tr>\n
The Invisible Man<\/td>1933<\/td>\n<\/tr>\n
Gold Diggers of 1933<\/td>1933<\/td>\n<\/tr>\n
Design for Living<\/td>1933<\/td>\n<\/tr>\n
Les mis\u00e9rables<\/td>1934<\/td>\n<\/tr>\n
It Happened One Night<\/td>1934<\/td>\n<\/tr>\n
L' Atalante<\/td>1934<\/td>\n<\/tr>\n
The Scarlet Empress<\/td>1934<\/td>\n<\/tr>\n
Bride of Frankenstein<\/td>1935<\/td>\n<\/tr>\n
A Night at the Opera<\/td>1935<\/td>\n<\/tr>\n
Sazen Tange and the Pot Worth a Million Ryo<\/td>1935<\/td>\n<\/tr>\n
The Band Concert<\/td>1935<\/td>\n<\/tr>\n
Toni<\/td>1935<\/td>\n<\/tr>\n
Modern Times<\/td>1936<\/td>\n<\/tr>\n
Fury<\/td>1936<\/td>\n<\/tr>\n
The Only Son<\/td>1936<\/td>\n<\/tr>\n
My Man Godfrey<\/td>1936<\/td>\n<\/tr>\n
Mr. Thank You<\/td>1936<\/td>\n<\/tr>\n
Mr. Deeds Goes to Town<\/td>1936<\/td>\n<\/tr>\n
Make Way for Tomorrow<\/td>1937<\/td>\n<\/tr>\n
Grand Illusion<\/td>1937<\/td>\n<\/tr>\n
Humanity and Paper Balloons<\/td>1937<\/td>\n<\/tr>\n
The Awful Truth<\/td>1937<\/td>\n<\/tr>\n
The Tale of the Fox<\/td>1937<\/td>\n<\/tr>\n
You Only Live Once<\/td>1937<\/td>\n<\/tr>\n
The Old Mill<\/td>1937<\/td>\n<\/tr>\n
Stage Door<\/td>1937<\/td>\n<\/tr>\n
A Day at the Races<\/td>1937<\/td>\n<\/tr>\n
Bringing Up Baby<\/td>1938<\/td>\n<\/tr>\n
Port of Shadows<\/td>1938<\/td>\n<\/tr>\n
Holiday<\/td>1938<\/td>\n<\/tr>\n
Porky in Wackyland<\/td>1938<\/td>\n<\/tr>\n
You Can't Take It With You<\/td>1938<\/td>\n<\/tr>\n
Angels With Dirty Faces<\/td>1938<\/td>\n<\/tr>\n
The Baker's Wife<\/td>1938<\/td>\n<\/tr>\n
The Story of the Last Chrysanthemum<\/td>1939<\/td>\n<\/tr>\n
The Rules of the Game<\/td>1939<\/td>\n<\/tr>\n
Only Angels Have Wings<\/td>1939<\/td>\n<\/tr>\n
The Wizard of Oz<\/td>1939<\/td>\n<\/tr>\n
Stagecoach<\/td>1939<\/td>\n<\/tr>\n
Mr. Smith Goes to Washington<\/td>1939<\/td>\n<\/tr>\n
The Roaring Twenties<\/td>1939<\/td>\n<\/tr>\n
Daybreak<\/td>1939<\/td>\n<\/tr>\n
Midnight<\/td>1939<\/td>\n<\/tr>\n
The Great Dictator<\/td>1940<\/td>\n<\/tr>\n
The Grapes of Wrath<\/td>1940<\/td>\n<\/tr>\n
The Shop Around the Corner<\/td>1940<\/td>\n<\/tr>\n
Rebecca<\/td>1940<\/td>\n<\/tr>\n
Fantasia<\/td>1940<\/td>\n<\/tr>\n
His Girl Friday<\/td>1940<\/td>\n<\/tr>\n
The Philadelphia Story<\/td>1940<\/td>\n<\/tr>\n
The Mortal Storm<\/td>1940<\/td>\n<\/tr>\n
Citizen Kane<\/td>1941<\/td>\n<\/tr>\n
The Maltese Falcon<\/td>1941<\/td>\n<\/tr>\n
Sullivan's Travels<\/td>1941<\/td>\n<\/tr>\n
How Green Was My Valley<\/td>1941<\/td>\n<\/tr>\n
Ornamental Hairpin<\/td>1941<\/td>\n<\/tr>\n
The Lady Eve<\/td>1941<\/td>\n<\/tr>\n
Hellzapoppin'<\/td>1941<\/td>\n<\/tr>\n
Ball of Fire<\/td>1941<\/td>\n<\/tr>\n
Casablanca<\/td>1942<\/td>\n<\/tr>\n
To Be or Not to Be<\/td>1942<\/td>\n<\/tr>\n
The Magnificent Ambersons<\/td>1942<\/td>\n<\/tr>\n
There Was a Father<\/td>1942<\/td>\n<\/tr>\n
Day of Wrath<\/td>1943<\/td>\n<\/tr>\n
Meshes of the Afternoon<\/td>1943<\/td>\n<\/tr>\n
The Life and Death of Colonel Blimp<\/td>1943<\/td>\n<\/tr>\n
The Ox-Bow Incident<\/td>1943<\/td>\n<\/tr>\n
The Raven<\/td>1943<\/td>\n<\/tr>\n
Shadow of a Doubt<\/td>1943<\/td>\n<\/tr>\n
Obsession<\/td>1943<\/td>\n<\/tr>\n
Double Indemnity<\/td>1944<\/td>\n<\/tr>\n
Ivan the Terrible, Part I<\/td>1944<\/td>\n<\/tr>\n
Laura<\/td>1944<\/td>\n<\/tr>\n
Arsenic and Old Lace<\/td>1944<\/td>\n<\/tr>\n
To Have and Have Not<\/td>1944<\/td>\n<\/tr>\n
The Woman in the Window<\/td>1944<\/td>\n<\/tr>\n
Gaslight<\/td>1944<\/td>\n<\/tr>\n
Children of Paradise<\/td>1945<\/td>\n<\/tr>\n
Brief Encounter<\/td>1945<\/td>\n<\/tr>\n
Rome, Open City<\/td>1945<\/td>\n<\/tr>\n
Scarlet Street<\/td>1945<\/td>\n<\/tr>\n
The Lost Weekend<\/td>1945<\/td>\n<\/tr>\n
Mildred Pierce<\/td>1945<\/td>\n<\/tr>\n
Leave Her to Heaven<\/td>1945<\/td>\n<\/tr>\n
Under the Clock<\/td>1945<\/td>\n<\/tr>\n
It's a Wonderful Life<\/td>1946<\/td>\n<\/tr>\n
The Best Years of Our Lives<\/td>1946<\/td>\n<\/tr>\n
A Matter of Life and Death<\/td>1946<\/td>\n<\/tr>\n
My Darling Clementine<\/td>1946<\/td>\n<\/tr>\n
Notorious<\/td>1946<\/td>\n<\/tr>\n
Beauty and the Beast<\/td>1946<\/td>\n<\/tr>\n
The Big Sleep<\/td>1946<\/td>\n<\/tr>\n
Shoeshine<\/td>1946<\/td>\n<\/tr>\n
Paisan<\/td>1946<\/td>\n<\/tr>\n
The Great Piggy Bank Robbery<\/td>1946<\/td>\n<\/tr>\n
A Day in the Country<\/td>1946<\/td>\n<\/tr>\n
Panic<\/td>1946<\/td>\n<\/tr>\n
Under the Bridges<\/td>1946<\/td>\n<\/tr>\n
Cluny Brown<\/td>1946<\/td>\n<\/tr>\n
The Killers<\/td>1946<\/td>\n<\/tr>\n
Canyon Passage<\/td>1946<\/td>\n<\/tr>\n
Out of the Past<\/td>1947<\/td>\n<\/tr>\n
Monsieur Verdoux<\/td>1947<\/td>\n<\/tr>\n
Black Narcissus<\/td>1947<\/td>\n<\/tr>\n
The Lady From Shanghai<\/td>1947<\/td>\n<\/tr>\n
Odd Man Out<\/td>1947<\/td>\n<\/tr>\n
The Cat Concerto<\/td>1947<\/td>\n<\/tr>\n
The Ghost and Mrs. Muir<\/td>1947<\/td>\n<\/tr>\n
Nightmare Alley<\/td>1947<\/td>\n<\/tr>\n
Record of a Tenement Gentleman<\/td>1947<\/td>\n<\/tr>\n
Bicycle Thieves<\/td>1948<\/td>\n<\/tr>\n
The Red Shoes<\/td>1948<\/td>\n<\/tr>\n
The Treasure of the Sierra Madre<\/td>1948<\/td>\n<\/tr>\n
Rope<\/td>1948<\/td>\n<\/tr>\n
Letter From an Unknown Woman<\/td>1948<\/td>\n<\/tr>\n
Germany Year Zero<\/td>1948<\/td>\n<\/tr>\n
The Earth Trembles<\/td>1948<\/td>\n<\/tr>\n
Red River<\/td>1948<\/td>\n<\/tr>\n
They Live by Night<\/td>1948<\/td>\n<\/tr>\n
Portrait of Jennie<\/td>1948<\/td>\n<\/tr>\n
Children of the Beehive<\/td>1948<\/td>\n<\/tr>\n
Unfaithfully Yours<\/td>1948<\/td>\n<\/tr>\n
Late Spring<\/td>1949<\/td>\n<\/tr>\n
The Third Man<\/td>1949<\/td>\n<\/tr>\n
White Heat<\/td>1949<\/td>\n<\/tr>\n
The Heiress<\/td>1949<\/td>\n<\/tr>\n
Kind Hearts and Coronets<\/td>1949<\/td>\n<\/tr>\n
The Set-Up<\/td>1949<\/td>\n<\/tr>\n
Stray Dog<\/td>1949<\/td>\n<\/tr>\n
Fast and Furry-ous<\/td>1949<\/td>\n<\/tr>\n
Bitter Rice<\/td>1949<\/td>\n<\/tr>\n
Long-Haired Hare<\/td>1949<\/td>\n<\/tr>\n
Rashomon<\/td>1950<\/td>\n<\/tr>\n
The Young and the Damned<\/td>1950<\/td>\n<\/tr>\n
All About Eve<\/td>1950<\/td>\n<\/tr>\n
In a Lonely Place<\/td>1950<\/td>\n<\/tr>\n
The Asphalt Jungle<\/td>1950<\/td>\n<\/tr>\n
Night and the City<\/td>1950<\/td>\n<\/tr>\n
Orpheus<\/td>1950<\/td>\n<\/tr>\n
The Gunfighter<\/td>1950<\/td>\n<\/tr>\n
Rabbit of Seville<\/td>1950<\/td>\n<\/tr>\n
Gun Crazy<\/td>1950<\/td>\n<\/tr>\n
Stars in My Crown<\/td>1950<\/td>\n<\/tr>\n
The Breaking Point<\/td>1950<\/td>\n<\/tr>\n
Stromboli<\/td>1950<\/td>\n<\/tr>\n
Harvey<\/td>1950<\/td>\n<\/tr>\n
La ronde<\/td>1950<\/td>\n<\/tr>\n
Wagon Master<\/td>1950<\/td>\n<\/tr>\n
Sunset Blvd.<\/td>1950<\/td>\n<\/tr>\n
Ace in the Hole<\/td>1951<\/td>\n<\/tr>\n
Early Summer<\/td>1951<\/td>\n<\/tr>\n
Diary of a Country Priest<\/td>1951<\/td>\n<\/tr>\n
Strangers on a Train<\/td>1951<\/td>\n<\/tr>\n
The Browning Version<\/td>1951<\/td>\n<\/tr>\n
A Streetcar Named Desire<\/td>1951<\/td>\n<\/tr>\n
The Tragedy of Othello: The Moor of Venice<\/td>1951<\/td>\n<\/tr>\n
Alice in Wonderland<\/td>1951<\/td>\n<\/tr>\n
Rabbit Fire<\/td>1951<\/td>\n<\/tr>\n
Repast<\/td>1951<\/td>\n<\/tr>\n
Miracle in Milan<\/td>1951<\/td>\n<\/tr>\n
The Steel Helmet<\/td>1951<\/td>\n<\/tr>\n
Scrooge<\/td>1951<\/td>\n<\/tr>\n
Ikiru<\/td>1952<\/td>\n<\/tr>\n
Singin' in the Rain<\/td>1952<\/td>\n<\/tr>\n
The Life of Oharu<\/td>1952<\/td>\n<\/tr>\n
Umberto D.<\/td>1952<\/td>\n<\/tr>\n
Limelight<\/td>1952<\/td>\n<\/tr>\n
Europe '51<\/td>1952<\/td>\n<\/tr>\n
High Noon<\/td>1952<\/td>\n<\/tr>\n
The Lusty Men<\/td>1952<\/td>\n<\/tr>\n
House of Pleasure<\/td>1952<\/td>\n<\/tr>\n
The Bad and the Beautiful<\/td>1952<\/td>\n<\/tr>\n
Rome 11:00<\/td>1952<\/td>\n<\/tr>\n
Forbidden Games<\/td>1952<\/td>\n<\/tr>\n
Golden Helmet<\/td>1952<\/td>\n<\/tr>\n
Mother<\/td>1952<\/td>\n<\/tr>\n
The Flavor of Green Tea Over Rice<\/td>1952<\/td>\n<\/tr>\n
5 Fingers<\/td>1952<\/td>\n<\/tr>\n
Rabbit Seasoning<\/td>1952<\/td>\n<\/tr>\n
Tokyo Story<\/td>1953<\/td>\n<\/tr>\n
The Wages of Fear<\/td>1953<\/td>\n<\/tr>\n
Ugetsu<\/td>1953<\/td>\n<\/tr>\n
Duck Amuck<\/td>1953<\/td>\n<\/tr>\n
The Big Heat<\/td>1953<\/td>\n<\/tr>\n
The Earrings of Madame de\u2026<\/td>1953<\/td>\n<\/tr>\n
Duck Dodgers in the 24\u00bdth Century<\/td>1953<\/td>\n<\/tr>\n
This Strange Passion<\/td>1953<\/td>\n<\/tr>\n
I vitelloni<\/td>1953<\/td>\n<\/tr>\n
Pickup on South Street<\/td>1953<\/td>\n<\/tr>\n
Roman Holiday<\/td>1953<\/td>\n<\/tr>\n
The Band Wagon<\/td>1953<\/td>\n<\/tr>\n
Welcome Mr. Marshall<\/td>1953<\/td>\n<\/tr>\n
The Naked Spur<\/td>1953<\/td>\n<\/tr>\n
A Geisha<\/td>1953<\/td>\n<\/tr>\n
Little Fugitive<\/td>1953<\/td>\n<\/tr>\n
Rear Window<\/td>1954<\/td>\n<\/tr>\n
Sansho the Bailiff<\/td>1954<\/td>\n<\/tr>\n
The Crucified Lovers<\/td>1954<\/td>\n<\/tr>\n
The Road<\/td>1954<\/td>\n<\/tr>\n
Johnny Guitar<\/td>1954<\/td>\n<\/tr>\n
On the Waterfront<\/td>1954<\/td>\n<\/tr>\n
Twenty-Four Eyes<\/td>1954<\/td>\n<\/tr>\n
Dial M for Murder<\/td>1954<\/td>\n<\/tr>\n
Sound of the Mountain<\/td>1954<\/td>\n<\/tr>\n
Godzilla<\/td>1954<\/td>\n<\/tr>\n
Song of Love<\/td>1954<\/td>\n<\/tr>\n
Seven Samurai<\/td>1954<\/td>\n<\/tr>\n
Ordet<\/td>1955<\/td>\n<\/tr>\n
Pather Panchali<\/td>1955<\/td>\n<\/tr>\n
The Night of the Hunter<\/td>1955<\/td>\n<\/tr>\n
Rififi<\/td>1955<\/td>\n<\/tr>\n
Diabolique<\/td>1955<\/td>\n<\/tr>\n
All That Heaven Allows<\/td>1955<\/td>\n<\/tr>\n
Kiss Me Deadly<\/td>1955<\/td>\n<\/tr>\n
The Eternal Breasts<\/td>1955<\/td>\n<\/tr>\n
The Counterfeit Coin<\/td>1955<\/td>\n<\/tr>\n
One Froggy Evening<\/td>1955<\/td>\n<\/tr>\n
Floating Clouds<\/td>1955<\/td>\n<\/tr>\n
The Sins of Lola Montes<\/td>1955<\/td>\n<\/tr>\n
The Big Combo<\/td>1955<\/td>\n<\/tr>\n
The Man From Laramie<\/td>1955<\/td>\n<\/tr>\n
The Long Gray Line<\/td>1955<\/td>\n<\/tr>\n
Marty<\/td>1955<\/td>\n<\/tr>\n
East of Eden<\/td>1955<\/td>\n<\/tr>\n
Bad Day at Black Rock<\/td>1955<\/td>\n<\/tr>\n
The Criminal Life of Archibaldo de la Cruz<\/td>1955<\/td>\n<\/tr>\n
Rebel Without a Cause<\/td>1955<\/td>\n<\/tr>\n
A Man Escaped<\/td>1956<\/td>\n<\/tr>\n
Night and Fog<\/td>1956<\/td>\n<\/tr>\n
The Unvanquished<\/td>1956<\/td>\n<\/tr>\n
The Burmese Harp<\/td>1956<\/td>\n<\/tr>\n
Early Spring<\/td>1956<\/td>\n<\/tr>\n
Street of Shame<\/td>1956<\/td>\n<\/tr>\n
The Killing<\/td>1956<\/td>\n<\/tr>\n
The Searchers<\/td>1956<\/td>\n<\/tr>\n
Tea and Sympathy<\/td>1956<\/td>\n<\/tr>\n
Written on the Wind<\/td>1956<\/td>\n<\/tr>\n
Bigger Than Life<\/td>1956<\/td>\n<\/tr>\n
There's Always Tomorrow<\/td>1956<\/td>\n<\/tr>\n
Invasion of the Body Snatchers<\/td>1956<\/td>\n<\/tr>\n
The Rocket from Calabuch<\/td>1956<\/td>\n<\/tr>\n
The Red Balloon<\/td>1956<\/td>\n<\/tr>\n
Flowing<\/td>1956<\/td>\n<\/tr>\n
The Seventh Seal<\/td>1957<\/td>\n<\/tr>\n
Paths of Glory<\/td>1957<\/td>\n<\/tr>\n
Wild Strawberries<\/td>1957<\/td>\n<\/tr>\n
Nights of Cabiria<\/td>1957<\/td>\n<\/tr>\n
The Cranes Are Flying<\/td>1957<\/td>\n<\/tr>\n
Tokyo Twilight<\/td>1957<\/td>\n<\/tr>\n
Throne of Blood<\/td>1957<\/td>\n<\/tr>\n
Witness for the Prosecution<\/td>1957<\/td>\n<\/tr>\n
Sweet Smell of Success<\/td>1957<\/td>\n<\/tr>\n
A Face in the Crowd<\/td>1957<\/td>\n<\/tr>\n
The Bridge on the River Kwai<\/td>1957<\/td>\n<\/tr>\n
Canal<\/td>1957<\/td>\n<\/tr>\n
Rio, Northern Zone<\/td>1957<\/td>\n<\/tr>\n
What's Opera, Doc?<\/td>1957<\/td>\n<\/tr>\n
The Incredible Shrinking Man<\/td>1957<\/td>\n<\/tr>\n
Man on the Tracks<\/td>1957<\/td>\n<\/tr>\n
The Cry<\/td>1957<\/td>\n<\/tr>\n
Pyaasa<\/td>1957<\/td>\n<\/tr>\n
3:10 to Yuma<\/td>1957<\/td>\n<\/tr>\n
12 Angry Men<\/td>1957<\/td>\n<\/tr>\n
Vertigo<\/td>1958<\/td>\n<\/tr>\n
Touch of Evil<\/td>1958<\/td>\n<\/tr>\n
The Music Room<\/td>1958<\/td>\n<\/tr>\n
Big Deal on Madonna Street<\/td>1958<\/td>\n<\/tr>\n
Ashes and Diamonds<\/td>1958<\/td>\n<\/tr>\n
My Uncle<\/td>1958<\/td>\n<\/tr>\n
Anticipation of the Night<\/td>1958<\/td>\n<\/tr>\n
Ivan the Terrible, Part 2<\/td>1958<\/td>\n<\/tr>\n
The Hidden Fortress<\/td>1958<\/td>\n<\/tr>\n
Equinox Flower<\/td>1958<\/td>\n<\/tr>\n
The Noose<\/td>1958<\/td>\n<\/tr>\n
The Ballad of Narayama<\/td>1958<\/td>\n<\/tr>\n
The Big Country<\/td>1958<\/td>\n<\/tr>\n
Some Came Running<\/td>1958<\/td>\n<\/tr>\n
Elevator to the Gallows<\/td>1958<\/td>\n<\/tr>\n
Cat on a Hot Tin Roof<\/td>1958<\/td>\n<\/tr>\n
A Time to Love and a Time to Die<\/td>1958<\/td>\n<\/tr>\n
Room at the Top<\/td>1958<\/td>\n<\/tr>\n
A Night to Remember<\/td>1958<\/td>\n<\/tr>\n
Invention for Destruction<\/td>1958<\/td>\n<\/tr>\n
Heroism<\/td>1958<\/td>\n<\/tr>\n
The Human Condition I: No Greater Love<\/td>1959<\/td>\n<\/tr>\n
The Human Condition II: Road to Eternity<\/td>1959<\/td>\n<\/tr>\n
The World of Apu<\/td>1959<\/td>\n<\/tr>\n
North by Northwest<\/td>1959<\/td>\n<\/tr>\n
The 400 Blows<\/td>1959<\/td>\n<\/tr>\n
Some Like It Hot<\/td>1959<\/td>\n<\/tr>\n
The Great War<\/td>1959<\/td>\n<\/tr>\n
Floating Weeds<\/td>1959<\/td>\n<\/tr>\n
Anatomy of a Murder<\/td>1959<\/td>\n<\/tr>\n
Rio Bravo<\/td>1959<\/td>\n<\/tr>\n
Hiroshima, My Love<\/td>1959<\/td>\n<\/tr>\n
Night Train<\/td>1959<\/td>\n<\/tr>\n
Fires on the Plain<\/td>1959<\/td>\n<\/tr>\n
Imitation of Life<\/td>1959<\/td>\n<\/tr>\n
Ballad of a Soldier<\/td>1959<\/td>\n<\/tr>\n
Good Morning<\/td>1959<\/td>\n<\/tr>\n
Jazz on a Summer's Day<\/td>1959<\/td>\n<\/tr>\n
Pickpocket<\/td>1959<\/td>\n<\/tr>\n
The Bridge<\/td>1959<\/td>\n<\/tr>\n
The Depot of the Dead<\/td>1959<\/td>\n<\/tr>\n
Nazar\u00edn<\/td>1959<\/td>\n<\/tr>\n
Destiny of a Man<\/td>1959<\/td>\n<\/tr>\n
Day of the Outlaw<\/td>1959<\/td>\n<\/tr>\n
The Hole<\/td>1960<\/td>\n<\/tr>\n
The Apartment<\/td>1960<\/td>\n<\/tr>\n
La dolce vita<\/td>1960<\/td>\n<\/tr>\n
Rocco and His Brothers<\/td>1960<\/td>\n<\/tr>\n
Macario<\/td>1960<\/td>\n<\/tr>\n
The Virgin Spring<\/td>1960<\/td>\n<\/tr>\n
The Adventure<\/td>1960<\/td>\n<\/tr>\n
When a Woman Ascends the Stairs<\/td>1960<\/td>\n<\/tr>\n
The Naked Island<\/td>1960<\/td>\n<\/tr>\n
Late Autumn<\/td>1960<\/td>\n<\/tr>\n
Everybody Go Home<\/td>1960<\/td>\n<\/tr>\n
Peeping Tom<\/td>1960<\/td>\n<\/tr>\n
Letter Never Sent<\/td>1960<\/td>\n<\/tr>\n
The Bad Sleep Well<\/td>1960<\/td>\n<\/tr>\n
Breathless<\/td>1960<\/td>\n<\/tr>\n
Adua and Friends<\/td>1960<\/td>\n<\/tr>\n
The Goddess<\/td>1960<\/td>\n<\/tr>\n
Elmer Gantry<\/td>1960<\/td>\n<\/tr>\n
Eyes Without a Face<\/td>1960<\/td>\n<\/tr>\n
Innocent Sorcerers<\/td>1960<\/td>\n<\/tr>\n
Purple Noon<\/td>1960<\/td>\n<\/tr>\n
Good Bye, Till Tomorrow<\/td>1960<\/td>\n<\/tr>\n
The Approach of Autumn<\/td>1960<\/td>\n<\/tr>\n
The Cloud-Capped Star<\/td>1960<\/td>\n<\/tr>\n
The Skeleton of Mrs. Morales<\/td>1960<\/td>\n<\/tr>\n
Bad Luck<\/td>1960<\/td>\n<\/tr>\n
Home From the Hill<\/td>1960<\/td>\n<\/tr>\n
Wild River<\/td>1960<\/td>\n<\/tr>\n
Psycho<\/td>1960<\/td>\n<\/tr>\n
Yojimbo<\/td>1961<\/td>\n<\/tr>\n
The Night<\/td>1961<\/td>\n<\/tr>\n
Last Year at Marienbad<\/td>1961<\/td>\n<\/tr>\n
Viridiana<\/td>1961<\/td>\n<\/tr>\n
A Difficult Life<\/td>1961<\/td>\n<\/tr>\n
Through a Glass Darkly<\/td>1961<\/td>\n<\/tr>\n
The Hustler<\/td>1961<\/td>\n<\/tr>\n
The Job<\/td>1961<\/td>\n<\/tr>\n
Judgment at Nuremberg<\/td>1961<\/td>\n<\/tr>\n
The Innocents<\/td>1961<\/td>\n<\/tr>\n
The Scrounger<\/td>1961<\/td>\n<\/tr>\n
Mother Joan of the Angels<\/td>1961<\/td>\n<\/tr>\n
Fire in Castilla (Tactilevision of the Plateau of Fright)<\/td>1961<\/td>\n<\/tr>\n
The End of Summer<\/td>1961<\/td>\n<\/tr>\n
Divorce Italian Style<\/td>1961<\/td>\n<\/tr>\n
Underworld U.S.A.<\/td>1961<\/td>\n<\/tr>\n
The Children's Hour<\/td>1961<\/td>\n<\/tr>\n
One, Two, Three<\/td>1961<\/td>\n<\/tr>\n
Victim<\/td>1961<\/td>\n<\/tr>\n
Splendor in the Grass<\/td>1961<\/td>\n<\/tr>\n
Pl\u00e1cido<\/td>1961<\/td>\n<\/tr>\n
Uproar in Heaven<\/td>1961<\/td>\n<\/tr>\n
Whistle Down the Wind<\/td>1961<\/td>\n<\/tr>\n
The Human Condition III: A Soldier's Prayer<\/td>1961<\/td>\n<\/tr>\n
Lawrence of Arabia<\/td>1962<\/td>\n<\/tr>\n
The Easy Life<\/td>1962<\/td>\n<\/tr>\n
The Pier<\/td>1962<\/td>\n<\/tr>\n
The Given Word<\/td>1962<\/td>\n<\/tr>\n
An Autumn Afternoon<\/td>1962<\/td>\n<\/tr>\n
The Man Who Shot Liberty Valance<\/td>1962<\/td>\n<\/tr>\n
The Exterminating Angel<\/td>1962<\/td>\n<\/tr>\n
Cl\u00e9o From 5 to 7<\/td>1962<\/td>\n<\/tr>\n
The Eclipse<\/td>1962<\/td>\n<\/tr>\n
The Trial<\/td>1962<\/td>\n<\/tr>\n
What Ever Happened to Baby Jane?<\/td>1962<\/td>\n<\/tr>\n
My Life to Live<\/td>1962<\/td>\n<\/tr>\n
Ivan's Childhood<\/td>1962<\/td>\n<\/tr>\n
Mamma Roma<\/td>1962<\/td>\n<\/tr>\n
The Fabulous Baron Munchausen<\/td>1962<\/td>\n<\/tr>\n
To Kill a Mockingbird<\/td>1962<\/td>\n<\/tr>\n
Sanjuro<\/td>1962<\/td>\n<\/tr>\n
The Loneliness of the Long Distance Runner<\/td>1962<\/td>\n<\/tr>\n
His Days Are Numbered<\/td>1962<\/td>\n<\/tr>\n
Cape Fear<\/td>1962<\/td>\n<\/tr>\n
The Miracle Worker<\/td>1962<\/td>\n<\/tr>\n
Doulos: The Finger Man<\/td>1962<\/td>\n<\/tr>\n
The Manchurian Candidate<\/td>1962<\/td>\n<\/tr>\n
Knife in the Water<\/td>1962<\/td>\n<\/tr>\n
Salvatore Giuliano<\/td>1962<\/td>\n<\/tr>\n
Pitfall<\/td>1962<\/td>\n<\/tr>\n
Harakiri<\/td>1962<\/td>\n<\/tr>\n
8\u00bd<\/td>1963<\/td>\n<\/tr>\n
Winter Light<\/td>1963<\/td>\n<\/tr>\n
The Servant<\/td>1963<\/td>\n<\/tr>\n
The Big City<\/td>1963<\/td>\n<\/tr>\n
The Organizer<\/td>1963<\/td>\n<\/tr>\n
The Fire Within<\/td>1963<\/td>\n<\/tr>\n
The Leopard<\/td>1963<\/td>\n<\/tr>\n
The Silence<\/td>1963<\/td>\n<\/tr>\n
Hud<\/td>1963<\/td>\n<\/tr>\n
The House Is Black<\/td>1963<\/td>\n<\/tr>\n
The Executioner<\/td>1963<\/td>\n<\/tr>\n
Hands Over the City<\/td>1963<\/td>\n<\/tr>\n
The Great Escape<\/td>1963<\/td>\n<\/tr>\n
The Lovely Month of May<\/td>1963<\/td>\n<\/tr>\n
Contempt<\/td>1963<\/td>\n<\/tr>\n
The Birds<\/td>1963<\/td>\n<\/tr>\n
Crooks in Clover<\/td>1963<\/td>\n<\/tr>\n
An Actor's Revenge<\/td>1963<\/td>\n<\/tr>\n
Charade<\/td>1963<\/td>\n<\/tr>\n
The Girl From Parma<\/td>1963<\/td>\n<\/tr>\n
High and Low<\/td>1963<\/td>\n<\/tr>\n
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb<\/td>1964<\/td>\n<\/tr>\n
I Am Cuba<\/td>1964<\/td>\n<\/tr>\n
Kwaidan<\/td>1964<\/td>\n<\/tr>\n
Hamlet<\/td>1964<\/td>\n<\/tr>\n
Fail-Safe<\/td>1964<\/td>\n<\/tr>\n
Onibaba<\/td>1964<\/td>\n<\/tr>\n
Red Desert<\/td>1964<\/td>\n<\/tr>\n
The Gospel According to St. Matthew<\/td>1964<\/td>\n<\/tr>\n
The T.A.M.I. Show<\/td>1964<\/td>\n<\/tr>\n
Yearning<\/td>1964<\/td>\n<\/tr>\n
Nothing But a Man<\/td>1964<\/td>\n<\/tr>\n
Charulata<\/td>1964<\/td>\n<\/tr>\n
Seduced and Abandoned<\/td>1964<\/td>\n<\/tr>\n
A Fistful of Dollars<\/td>1964<\/td>\n<\/tr>\n
The Umbrellas of Cherbourg<\/td>1964<\/td>\n<\/tr>\n
Walking the Streets of Moscow<\/td>1964<\/td>\n<\/tr>\n
Gertrud<\/td>1964<\/td>\n<\/tr>\n
Intentions of Murder<\/td>1964<\/td>\n<\/tr>\n
Welcome, or No Trespassing<\/td>1964<\/td>\n<\/tr>\n
The Pawnbroker<\/td>1964<\/td>\n<\/tr>\n
The Train<\/td>1964<\/td>\n<\/tr>\n
Brick and Mirror<\/td>1964<\/td>\n<\/tr>\n
King and Country<\/td>1964<\/td>\n<\/tr>\n
Three Outlaw Samurai<\/td>1964<\/td>\n<\/tr>\n
Black God, White Devil<\/td>1964<\/td>\n<\/tr>\n
The Guns<\/td>1964<\/td>\n<\/tr>\n
Woman in the Dunes<\/td>1964<\/td>\n<\/tr>\n
For a Few Dollars More<\/td>1965<\/td>\n<\/tr>\n
Red Beard<\/td>1965<\/td>\n<\/tr>\n
A Charlie Brown Christmas<\/td>1965<\/td>\n<\/tr>\n
The Saragossa Manuscript<\/td>1965<\/td>\n<\/tr>\n
War and Peace, Part 1: Andrei Bolkonsky<\/td>1965<\/td>\n<\/tr>\n
The Shop on Main Street<\/td>1965<\/td>\n<\/tr>\n
Shadows of Forgotten Ancestors<\/td>1965<\/td>\n<\/tr>\n
Dog Star Man<\/td>1965<\/td>\n<\/tr>\n
Pierrot le fou<\/td>1965<\/td>\n<\/tr>\n
I Knew Her Well<\/td>1965<\/td>\n<\/tr>\n
Repulsion<\/td>1965<\/td>\n<\/tr>\n
War and Peace 2: Natasha Rostova<\/td>1965<\/td>\n<\/tr>\n
The Hill<\/td>1965<\/td>\n<\/tr>\n
I Am Twenty<\/td>1965<\/td>\n<\/tr>\n
Chimes at Midnight<\/td>1965<\/td>\n<\/tr>\n
Tokyo Olympiad<\/td>1965<\/td>\n<\/tr>\n
A Fugitive From the Past<\/td>1965<\/td>\n<\/tr>\n
S\u00e3o Paulo, Incorporated<\/td>1965<\/td>\n<\/tr>\n
Fists in the Pocket<\/td>1965<\/td>\n<\/tr>\n
Happiness<\/td>1965<\/td>\n<\/tr>\n
Simon of the Desert<\/td>1965<\/td>\n<\/tr>\n
Operation \"Y\" and Shurik's Other Adventures<\/td>1965<\/td>\n<\/tr>\n
A Patch of Blue<\/td>1965<\/td>\n<\/tr>\n
Jump<\/td>1965<\/td>\n<\/tr>\n
The Hand<\/td>1965<\/td>\n<\/tr>\n
Juliet of the Spirits<\/td>1965<\/td>\n<\/tr>\n
Seisaku's Wife<\/td>1965<\/td>\n<\/tr>\n
The Deceased<\/td>1965<\/td>\n<\/tr>\n
The Battle of Algiers<\/td>1966<\/td>\n<\/tr>\n
The Face of Another<\/td>1966<\/td>\n<\/tr>\n
Who's Afraid of Virginia Woolf?<\/td>1966<\/td>\n<\/tr>\n
Seconds<\/td>1966<\/td>\n<\/tr>\n
The Sword of Doom<\/td>1966<\/td>\n<\/tr>\n
Au hasard Balthazar<\/td>1966<\/td>\n<\/tr>\n
Second Breath<\/td>1966<\/td>\n<\/tr>\n
Blowup<\/td>1966<\/td>\n<\/tr>\n
Beware of the Car<\/td>1966<\/td>\n<\/tr>\n
For Love and Gold<\/td>1966<\/td>\n<\/tr>\n
Daisies<\/td>1966<\/td>\n<\/tr>\n
The War Game<\/td>1966<\/td>\n<\/tr>\n
Hunger<\/td>1966<\/td>\n<\/tr>\n
The Big Gundown<\/td>1966<\/td>\n<\/tr>\n
The Nun<\/td>1966<\/td>\n<\/tr>\n
It's the Great Pumpkin, Charlie Brown<\/td>1966<\/td>\n<\/tr>\n
The Birds, the Bees and the Italians<\/td>1966<\/td>\n<\/tr>\n
The Fear<\/td>1966<\/td>\n<\/tr>\n
Black Girl<\/td>1966<\/td>\n<\/tr>\n
Red Angel<\/td>1966<\/td>\n<\/tr>\n
The Taking of Power by Louis XIV<\/td>1966<\/td>\n<\/tr>\n
Closely Watched Trains<\/td>1966<\/td>\n<\/tr>\n
Wings<\/td>1966<\/td>\n<\/tr>\n
Coach to Vienna<\/td>1966<\/td>\n<\/tr>\n
How the Grinch Stole Christmas!<\/td>1966<\/td>\n<\/tr>\n
The Hero<\/td>1966<\/td>\n<\/tr>\n
The Good, the Bad, and the Ugly<\/td>1966<\/td>\n<\/tr>\n
Andrei Rublev<\/td>1966<\/td>\n<\/tr>\n
Persona<\/td>1966<\/td>\n<\/tr>\n
PlayTime<\/td>1967<\/td>\n<\/tr>\n
Samurai Rebellion<\/td>1967<\/td>\n<\/tr>\n
Le samoura\u00ef<\/td>1967<\/td>\n<\/tr>\n
War and Peace 3: 1812<\/td>1967<\/td>\n<\/tr>\n
Marketa Lazarov\u00e1<\/td>1967<\/td>\n<\/tr>\n
The Young Girls of Rochefort<\/td>1967<\/td>\n<\/tr>\n
War and Peace 4: Pierre Bezukhov<\/td>1967<\/td>\n<\/tr>\n
Truman Capote's In Cold Blood<\/td>1967<\/td>\n<\/tr>\n
Cool Hand Luke<\/td>1967<\/td>\n<\/tr>\n
The Graduate<\/td>1967<\/td>\n<\/tr>\n
Dont Look Back<\/td>1967<\/td>\n<\/tr>\n
Happy End<\/td>1967<\/td>\n<\/tr>\n
Scattered Clouds<\/td>1967<\/td>\n<\/tr>\n
Belle de jour<\/td>1967<\/td>\n<\/tr>\n
The Incident<\/td>1967<\/td>\n<\/tr>\n
Mouchette<\/td>1967<\/td>\n<\/tr>\n
Bonnie and Clyde<\/td>1967<\/td>\n<\/tr>\n
Titicut Follies<\/td>1967<\/td>\n<\/tr>\n
In the Heat of the Night<\/td>1967<\/td>\n<\/tr>\n
Dragon Inn<\/td>1967<\/td>\n<\/tr>\n
Case of the Naves Brothers<\/td>1967<\/td>\n<\/tr>\n
Marat\/Sade<\/td>1967<\/td>\n<\/tr>\n
Point Blank<\/td>1967<\/td>\n<\/tr>\n
Weekend<\/td>1967<\/td>\n<\/tr>\n
The Red and the White<\/td>1967<\/td>\n<\/tr>\n
July Rain<\/td>1967<\/td>\n<\/tr>\n
Branded to Kill<\/td>1967<\/td>\n<\/tr>\n
The Illiac Passion<\/td>1967<\/td>\n<\/tr>\n
Warrendale<\/td>1967<\/td>\n<\/tr>\n
Once Upon a Time in the West<\/td>1968<\/td>\n<\/tr>\n
Rosemary's Baby<\/td>1968<\/td>\n<\/tr>\n
Monterey Pop<\/td>1968<\/td>\n<\/tr>\n
Night of the Living Dead<\/td>1968<\/td>\n<\/tr>\n
Shame<\/td>1968<\/td>\n<\/tr>\n
The Great Silence<\/td>1968<\/td>\n<\/tr>\n
Death by Hanging<\/td>1968<\/td>\n<\/tr>\n
The Golden Calf<\/td>1968<\/td>\n<\/tr>\n
Diaries, Notes, and Sketches<\/td>1968<\/td>\n<\/tr>\n
Faces<\/td>1968<\/td>\n<\/tr>\n
The Swimmer<\/td>1968<\/td>\n<\/tr>\n
Planet of the Apes<\/td>1968<\/td>\n<\/tr>\n
Profound Desires of the Gods<\/td>1968<\/td>\n<\/tr>\n
Hour of the Wolf<\/td>1968<\/td>\n<\/tr>\n
Our Lady of the Turks<\/td>1968<\/td>\n<\/tr>\n
The Eve of Ivan Kupalo<\/td>1968<\/td>\n<\/tr>\n
The Blues Accordin' to Lightnin' Hopkins<\/td>1968<\/td>\n<\/tr>\n
Kuroneko<\/td>1968<\/td>\n<\/tr>\n
The Valley of the Bees<\/td>1968<\/td>\n<\/tr>\n
Memories of Underdevelopment<\/td>1968<\/td>\n<\/tr>\n
Symbiopsychotaxiplasm: Take One<\/td>1968<\/td>\n<\/tr>\n
Yellow Submarine<\/td>1968<\/td>\n<\/tr>\n
High School<\/td>1968<\/td>\n<\/tr>\n
The Red Light Bandit<\/td>1968<\/td>\n<\/tr>\n
Woman in Chains<\/td>1968<\/td>\n<\/tr>\n
Targets<\/td>1968<\/td>\n<\/tr>\n
We'll Live Till Monday<\/td>1968<\/td>\n<\/tr>\n
What Are the Clouds?<\/td>1968<\/td>\n<\/tr>\n
if....<\/td>1968<\/td>\n<\/tr>\n
2001: A Space Odyssey<\/td>1968<\/td>\n<\/tr>\n
Funeral Parade of Roses<\/td>1969<\/td>\n<\/tr>\n
Army of Shadows<\/td>1969<\/td>\n<\/tr>\n
The Colour of Pomegranates<\/td>1969<\/td>\n<\/tr>\n
The Cremator<\/td>1969<\/td>\n<\/tr>\n
The Wild Bunch<\/td>1969<\/td>\n<\/tr>\n
Midnight Cowboy<\/td>1969<\/td>\n<\/tr>\n
Kes<\/td>1969<\/td>\n<\/tr>\n
Z<\/td>1969<\/td>\n<\/tr>\n
My Night at Maud's<\/td>1969<\/td>\n<\/tr>\n
The Witness<\/td>1969<\/td>\n<\/tr>\n
The Sorrow and the Pity<\/td>1969<\/td>\n<\/tr>\n
Eros + Massacre<\/td>1969<\/td>\n<\/tr>\n
Mad Love<\/td>1969<\/td>\n<\/tr>\n
Butch Cassidy and the Sundance Kid<\/td>1969<\/td>\n<\/tr>\n
They Shoot Horses, Don't They?<\/td>1969<\/td>\n<\/tr>\n
Jackal of Nahueltoro<\/td>1969<\/td>\n<\/tr>\n
The Passion of Anna<\/td>1969<\/td>\n<\/tr>\n
Goyokin<\/td>1969<\/td>\n<\/tr>\n
Winnie-the-Pooh<\/td>1969<\/td>\n<\/tr>\n
Pirosmani<\/td>1969<\/td>\n<\/tr>\n
The Bremen Town Musicians<\/td>1969<\/td>\n<\/tr>\n
A Boy Named Charlie Brown<\/td>1969<\/td>\n<\/tr>\n
Double Suicide<\/td>1969<\/td>\n<\/tr>\n
The Diamond Arm<\/td>1969<\/td>\n<\/tr>\n
This Man Must Die<\/td>1969<\/td>\n<\/tr>\n
Birds, Orphans and Fools<\/td>1969<\/td>\n<\/tr>\n
Investigation of a Citizen Above Suspicion<\/td>1970<\/td>\n<\/tr>\n
The Red Circle<\/td>1970<\/td>\n<\/tr>\n
Woodstock: 3 Days of Peace & Music<\/td>1970<\/td>\n<\/tr>\n
Hospital<\/td>1970<\/td>\n<\/tr>\n
The Hart of London<\/td>1970<\/td>\n<\/tr>\n
Gimme Shelter<\/td>1970<\/td>\n<\/tr>\n
This Transient Life<\/td>1970<\/td>\n<\/tr>\n
The Conformist<\/td>1970<\/td>\n<\/tr>\n
Five Easy Pieces<\/td>1970<\/td>\n<\/tr>\n
Heroic Purgatory<\/td>1970<\/td>\n<\/tr>\n
Once Upon a Time There Was a Singing Blackbird<\/td>1970<\/td>\n<\/tr>\n
The Confession<\/td>1970<\/td>\n<\/tr>\n
El Topo<\/td>1970<\/td>\n<\/tr>\n
King Lear<\/td>1970<\/td>\n<\/tr>\n
Crime and Punishment<\/td>1970<\/td>\n<\/tr>\n
Sem essa, Aranha<\/td>1970<\/td>\n<\/tr>\n
Husbands<\/td>1970<\/td>\n<\/tr>\n
A Drama of Jealousy (and Other Things)<\/td>1970<\/td>\n<\/tr>\n
Claire's Knee<\/td>1970<\/td>\n<\/tr>\n
Witches' Hammer<\/td>1970<\/td>\n<\/tr>\n
Deep End<\/td>1970<\/td>\n<\/tr>\n
The Millions Game<\/td>1970<\/td>\n<\/tr>\n
Out 1 : Noli me tangere<\/td>1971<\/td>\n<\/tr>\n
The Last Picture Show<\/td>1971<\/td>\n<\/tr>\n
Demons<\/td>1971<\/td>\n<\/tr>\n
The Devils<\/td>1971<\/td>\n<\/tr>\n
Throw Away Your Books, Rally in the Streets<\/td>1971<\/td>\n<\/tr>\n
The Emigrants<\/td>1971<\/td>\n<\/tr>\n
McCabe & Mrs. Miller<\/td>1971<\/td>\n<\/tr>\n
A Touch of Zen<\/td>1971<\/td>\n<\/tr>\n
The Working Class Goes to Heaven<\/td>1971<\/td>\n<\/tr>\n
Near Orou\u00ebt<\/td>1971<\/td>\n<\/tr>\n
Wake in Fright<\/td>1971<\/td>\n<\/tr>\n
The French Connection<\/td>1971<\/td>\n<\/tr>\n
Land of Silence and Darkness<\/td>1971<\/td>\n<\/tr>\n
Walkabout<\/td>1971<\/td>\n<\/tr>\n
Duck, You Sucker<\/td>1971<\/td>\n<\/tr>\n
Punishment Park<\/td>1971<\/td>\n<\/tr>\n
Harold and Maude<\/td>1971<\/td>\n<\/tr>\n
Four Nights of a Dreamer<\/td>1971<\/td>\n<\/tr>\n
In the Name of the Italian People<\/td>1971<\/td>\n<\/tr>\n
Twelve Chairs<\/td>1971<\/td>\n<\/tr>\n
Willy Wonka & the Chocolate Factory<\/td>1971<\/td>\n<\/tr>\n
Gentlemen of Fortune<\/td>1971<\/td>\n<\/tr>\n
Two-Lane Blacktop<\/td>1971<\/td>\n<\/tr>\n
Johnny Got His Gun<\/td>1971<\/td>\n<\/tr>\n
A New Leaf<\/td>1971<\/td>\n<\/tr>\n
The Central Region<\/td>1971<\/td>\n<\/tr>\n
Confessions of a Police Captain<\/td>1971<\/td>\n<\/tr>\n
Winnie-the-Pooh Goes Visiting<\/td>1971<\/td>\n<\/tr>\n
Straw Dogs<\/td>1971<\/td>\n<\/tr>\n
Duel<\/td>1971<\/td>\n<\/tr>\n
And Now for Something Completely Different<\/td>1971<\/td>\n<\/tr>\n
The Flight<\/td>1971<\/td>\n<\/tr>\n
Dirty Harry<\/td>1971<\/td>\n<\/tr>\n
The Murder of Fred Hampton<\/td>1971<\/td>\n<\/tr>\n
The Ceremony<\/td>1971<\/td>\n<\/tr>\n
The Third Part of the Night<\/td>1971<\/td>\n<\/tr>\n
Fiddler on the Roof<\/td>1971<\/td>\n<\/tr>\n
The Beguiled<\/td>1971<\/td>\n<\/tr>\n
The Long Farewell<\/td>1971<\/td>\n<\/tr>\n
Sinbad<\/td>1971<\/td>\n<\/tr>\n
A Clockwork Orange<\/td>1971<\/td>\n<\/tr>\n
Solaris<\/td>1972<\/td>\n<\/tr>\n
Pink Floyd: Live at Pompeii<\/td>1972<\/td>\n<\/tr>\n
Aguirre, the Wrath of God<\/td>1972<\/td>\n<\/tr>\n
The New Land<\/td>1972<\/td>\n<\/tr>\n
Cries and Whispers<\/td>1972<\/td>\n<\/tr>\n
Eight Deadly Shots<\/td>1972<\/td>\n<\/tr>\n
Ways of Seeing<\/td>1972<\/td>\n<\/tr>\n
The Bitter Tears of Petra von Kant<\/td>1972<\/td>\n<\/tr>\n
The Discreet Charm of the Bourgeoisie<\/td>1972<\/td>\n<\/tr>\n
Lone Wolf and Cub: Baby Cart at the River Styx<\/td>1972<\/td>\n<\/tr>\n
Reminiscences of a Journey to Lithuania<\/td>1972<\/td>\n<\/tr>\n
Under the Flag of the Rising Sun<\/td>1972<\/td>\n<\/tr>\n
Sleuth<\/td>1972<\/td>\n<\/tr>\n
S. Bernardo<\/td>1972<\/td>\n<\/tr>\n
Love in the Afternoon<\/td>1972<\/td>\n<\/tr>\n
Cabaret<\/td>1972<\/td>\n<\/tr>\n
...The Dawns Here Are Quiet<\/td>1972<\/td>\n<\/tr>\n
Pictures of the Old World<\/td>1972<\/td>\n<\/tr>\n
Deliverance<\/td>1972<\/td>\n<\/tr>\n
From the Notebook of...<\/td>1972<\/td>\n<\/tr>\n
The Concert for Bangladesh<\/td>1972<\/td>\n<\/tr>\n
The Long Darkness<\/td>1972<\/td>\n<\/tr>\n
Female Convict Scorpion: Jailhouse 41<\/td>1972<\/td>\n<\/tr>\n
Fat City<\/td>1972<\/td>\n<\/tr>\n
Indian Summer<\/td>1972<\/td>\n<\/tr>\n
The Heartbreak Kid<\/td>1972<\/td>\n<\/tr>\n
Winnie-the-Pooh and the Day of Concern<\/td>1972<\/td>\n<\/tr>\n
Play It Again, Sam<\/td>1972<\/td>\n<\/tr>\n
Roma<\/td>1972<\/td>\n<\/tr>\n
We Won't Grow Old Together<\/td>1972<\/td>\n<\/tr>\n
What's Up, Doc?<\/td>1972<\/td>\n<\/tr>\n
State of Siege<\/td>1972<\/td>\n<\/tr>\n
Female Prisoner #701: Scorpion<\/td>1972<\/td>\n<\/tr>\n
The Godfather<\/td>1972<\/td>\n<\/tr>\n
The Mother and the Whore<\/td>1973<\/td>\n<\/tr>\n
Paper Moon<\/td>1973<\/td>\n<\/tr>\n
The Holy Mountain<\/td>1973<\/td>\n<\/tr>\n
The Spirit of the Beehive<\/td>1973<\/td>\n<\/tr>\n
F for Fake<\/td>1973<\/td>\n<\/tr>\n
World on a Wire<\/td>1973<\/td>\n<\/tr>\n
The Long Goodbye<\/td>1973<\/td>\n<\/tr>\n
The Exorcist<\/td>1973<\/td>\n<\/tr>\n
Badlands<\/td>1973<\/td>\n<\/tr>\n
Juvenile Court<\/td>1973<\/td>\n<\/tr>\n
The Hourglass Sanatorium<\/td>1973<\/td>\n<\/tr>\n
The Wicker Man<\/td>1973<\/td>\n<\/tr>\n
The Sting<\/td>1973<\/td>\n<\/tr>\n
Amarcord<\/td>1973<\/td>\n<\/tr>\n
Fantastic Planet<\/td>1973<\/td>\n<\/tr>\n
O Lucky Man!<\/td>1973<\/td>\n<\/tr>\n
Day for Night<\/td>1973<\/td>\n<\/tr>\n
Lady Snowblood<\/td>1973<\/td>\n<\/tr>\n
Belladonna of Sadness<\/td>1973<\/td>\n<\/tr>\n
Ludwig<\/td>1973<\/td>\n<\/tr>\n
The Last Detail<\/td>1973<\/td>\n<\/tr>\n
The Yakuza Papers, Vol. 2: Deadly Fight in Hiroshima<\/td>1973<\/td>\n<\/tr>\n
The Spook Who Sat by the Door<\/td>1973<\/td>\n<\/tr>\n
Papillon<\/td>1973<\/td>\n<\/tr>\n
Ivan Vasilievich Changes His Profession<\/td>1973<\/td>\n<\/tr>\n
Wattstax<\/td>1973<\/td>\n<\/tr>\n
Charley Varrick<\/td>1973<\/td>\n<\/tr>\n
The Friends of Eddie Coyle<\/td>1973<\/td>\n<\/tr>\n
Duvidha<\/td>1973<\/td>\n<\/tr>\n
Serpico<\/td>1973<\/td>\n<\/tr>\n
Love and Anarchy<\/td>1973<\/td>\n<\/tr>\n
Horizons<\/td>1973<\/td>\n<\/tr>\n
A Woman Under the Influence<\/td>1974<\/td>\n<\/tr>\n
Chinatown<\/td>1974<\/td>\n<\/tr>\n
Edvard Munch<\/td>1974<\/td>\n<\/tr>\n
Scenes From a Marriage<\/td>1974<\/td>\n<\/tr>\n
We All Loved Each Other So Much<\/td>1974<\/td>\n<\/tr>\n
The Texas Chain Saw Massacre<\/td>1974<\/td>\n<\/tr>\n
The Conversation<\/td>1974<\/td>\n<\/tr>\n
The Man Who Sleeps<\/td>1974<\/td>\n<\/tr>\n
Pastoral: To Die in the Country<\/td>1974<\/td>\n<\/tr>\n
C\u00e9line and Julie Go Boating<\/td>1974<\/td>\n<\/tr>\n
Hearts and Minds<\/td>1974<\/td>\n<\/tr>\n
Ali: Fear Eats the Soul<\/td>1974<\/td>\n<\/tr>\n
The Enigma of Kaspar Hauser<\/td>1974<\/td>\n<\/tr>\n
Alice in the Cities<\/td>1974<\/td>\n<\/tr>\n
Phantom of the Paradise<\/td>1974<\/td>\n<\/tr>\n
Female Trouble<\/td>1974<\/td>\n<\/tr>\n
Bring Me the Head of Alfredo Garcia<\/td>1974<\/td>\n<\/tr>\n
Young Frankenstein<\/td>1974<\/td>\n<\/tr>\n
The Taking of Pelham One Two Three<\/td>1974<\/td>\n<\/tr>\n
The Phantom of Liberty<\/td>1974<\/td>\n<\/tr>\n
Still Life<\/td>1974<\/td>\n<\/tr>\n
My Little Loves<\/td>1974<\/td>\n<\/tr>\n
Lenny<\/td>1974<\/td>\n<\/tr>\n
Martha<\/td>1974<\/td>\n<\/tr>\n
Penda's Fen<\/td>1974<\/td>\n<\/tr>\n
Women Women<\/td>1974<\/td>\n<\/tr>\n
The Mouth Agape<\/td>1974<\/td>\n<\/tr>\n
Black Christmas<\/td>1974<\/td>\n<\/tr>\n
The Text of Light<\/td>1974<\/td>\n<\/tr>\n
The Red Snowball Tree<\/td>1974<\/td>\n<\/tr>\n
The Godfather: Part II<\/td>1974<\/td>\n<\/tr>\n
One Flew Over the Cuckoo's Nest<\/td>1975<\/td>\n<\/tr>\n
Barry Lyndon<\/td>1975<\/td>\n<\/tr>\n
Mirror<\/td>1975<\/td>\n<\/tr>\n
Monty Python and the Holy Grail<\/td>1975<\/td>\n<\/tr>\n
Dog Day Afternoon<\/td>1975<\/td>\n<\/tr>\n
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles<\/td>1975<\/td>\n<\/tr>\n
Welfare<\/td>1975<\/td>\n<\/tr>\n
Dersu Uzala<\/td>1975<\/td>\n<\/tr>\n
Nashville<\/td>1975<\/td>\n<\/tr>\n
The Promised Land<\/td>1975<\/td>\n<\/tr>\n
The Travelling Players<\/td>1975<\/td>\n<\/tr>\n
Hedgehog in the Fog<\/td>1975<\/td>\n<\/tr>\n
The Passenger<\/td>1975<\/td>\n<\/tr>\n
The Battle of Chile: The Struggle of Unarmed People - Part I: The Insurrection of the Bourgeoisie<\/td>1975<\/td>\n<\/tr>\n
Manila in the Claws of Light<\/td>1975<\/td>\n<\/tr>\n
My Friends<\/td>1975<\/td>\n<\/tr>\n
Jaws<\/td>1975<\/td>\n<\/tr>\n
Fox and His Friends<\/td>1975<\/td>\n<\/tr>\n
White Collar Blues<\/td>1975<\/td>\n<\/tr>\n
Deep Red<\/td>1975<\/td>\n<\/tr>\n
Anna<\/td>1975<\/td>\n<\/tr>\n
Afonya<\/td>1975<\/td>\n<\/tr>\n
Picnic at Hanging Rock<\/td>1975<\/td>\n<\/tr>\n
Love and Death<\/td>1975<\/td>\n<\/tr>\n
Pinchcliffe Grand Prix<\/td>1975<\/td>\n<\/tr>\n
They Fought for the Motherland<\/td>1975<\/td>\n<\/tr>\n
The Man Who Would Be King<\/td>1975<\/td>\n<\/tr>\n
Benilde or the Virgin Mother<\/td>1975<\/td>\n<\/tr>\n
Moses and Aaron<\/td>1975<\/td>\n<\/tr>\n
India Song<\/td>1975<\/td>\n<\/tr>\n
Network<\/td>1976<\/td>\n<\/tr>\n
Harlan County, USA<\/td>1976<\/td>\n<\/tr>\n
The Fifth Seal<\/td>1976<\/td>\n<\/tr>\n
Cria!<\/td>1976<\/td>\n<\/tr>\n
The Tenant<\/td>1976<\/td>\n<\/tr>\n
News From Home<\/td>1976<\/td>\n<\/tr>\n
Kings of the Road<\/td>1976<\/td>\n<\/tr>\n
The Battle of Chile: The Struggle of Unarmed People - Part II: The Coup d'\u00c9tat<\/td>1976<\/td>\n<\/tr>\n
Mikey and Nicky<\/td>1976<\/td>\n<\/tr>\n
All the President's Men<\/td>1976<\/td>\n<\/tr>\n
Tr\u00e1s-os-Montes<\/td>1976<\/td>\n<\/tr>\n
Her Venetian Name in Deserted Calcutta<\/td>1976<\/td>\n<\/tr>\n
One Way or Another<\/td>1976<\/td>\n<\/tr>\n
Mr. Klein<\/td>1976<\/td>\n<\/tr>\n
The Killing of a Chinese Bookie<\/td>1976<\/td>\n<\/tr>\n
Rocky<\/td>1976<\/td>\n<\/tr>\n
Ugly, Dirty and Bad<\/td>1976<\/td>\n<\/tr>\n
Lost, Lost, Lost<\/td>1976<\/td>\n<\/tr>\n
The Elder Son<\/td>1976<\/td>\n<\/tr>\n
Carrie<\/td>1976<\/td>\n<\/tr>\n
The Disenchantment<\/td>1976<\/td>\n<\/tr>\n
The Outlaw Josey Wales<\/td>1976<\/td>\n<\/tr>\n
Heartworn Highways<\/td>1976<\/td>\n<\/tr>\n
1900<\/td>1976<\/td>\n<\/tr>\n
The Second Tragic Fantozzi<\/td>1976<\/td>\n<\/tr>\n
Insiang<\/td>1976<\/td>\n<\/tr>\n
Twilight (A Quarantine)<\/td>1976<\/td>\n<\/tr>\n
Assault on Precinct 13<\/td>1976<\/td>\n<\/tr>\n
Taxi Driver<\/td>1976<\/td>\n<\/tr>\n
Eraserhead<\/td>1977<\/td>\n<\/tr>\n
The Ascent<\/td>1977<\/td>\n<\/tr>\n
Opening Night<\/td>1977<\/td>\n<\/tr>\n
Annie Hall<\/td>1977<\/td>\n<\/tr>\n
Star Wars: Episode IV \u2013 A New Hope<\/td>1977<\/td>\n<\/tr>\n
3 Women<\/td>1977<\/td>\n<\/tr>\n
House<\/td>1977<\/td>\n<\/tr>\n
A Special Day<\/td>1977<\/td>\n<\/tr>\n
Sorcerer<\/td>1977<\/td>\n<\/tr>\n
Stroszek<\/td>1977<\/td>\n<\/tr>\n
An Average Little Man<\/td>1977<\/td>\n<\/tr>\n
Suspiria<\/td>1977<\/td>\n<\/tr>\n
Our Hitler: A Film From Germany<\/td>1977<\/td>\n<\/tr>\n
The Grateful Dead<\/td>1977<\/td>\n<\/tr>\n
A Grin Without a Cat<\/td>1977<\/td>\n<\/tr>\n
That Obscure Object of Desire<\/td>1977<\/td>\n<\/tr>\n
Twenty Days Without War<\/td>1977<\/td>\n<\/tr>\n
Unfinished Piece for the Player Piano<\/td>1977<\/td>\n<\/tr>\n
21 Up<\/td>1977<\/td>\n<\/tr>\n
Mimino<\/td>1977<\/td>\n<\/tr>\n
The Devil Probably<\/td>1977<\/td>\n<\/tr>\n
Man of Marble<\/td>1977<\/td>\n<\/tr>\n
The American Friend<\/td>1977<\/td>\n<\/tr>\n
Perfumed Nightmare<\/td>1977<\/td>\n<\/tr>\n
Office Romance<\/td>1977<\/td>\n<\/tr>\n
Desperate Living<\/td>1977<\/td>\n<\/tr>\n
Camouflage<\/td>1977<\/td>\n<\/tr>\n
In the Beginning Was the End: The Truth About De-Evolution<\/td>1977<\/td>\n<\/tr>\n
Cross of Iron<\/td>1977<\/td>\n<\/tr>\n
Raggedy Ann & Andy: A Musical Adventure<\/td>1977<\/td>\n<\/tr>\n
Providence<\/td>1977<\/td>\n<\/tr>\n
Autumn Sonata<\/td>1978<\/td>\n<\/tr>\n
The Deer Hunter<\/td>1978<\/td>\n<\/tr>\n
Days of Heaven<\/td>1978<\/td>\n<\/tr>\n
The Tree of Wooden Clogs<\/td>1978<\/td>\n<\/tr>\n
Dawn of the Dead<\/td>1978<\/td>\n<\/tr>\n
Doomed Love<\/td>1978<\/td>\n<\/tr>\n
The Meetings of Anna<\/td>1978<\/td>\n<\/tr>\n
In a Year With 13 Moons<\/td>1978<\/td>\n<\/tr>\n
The Last Waltz<\/td>1978<\/td>\n<\/tr>\n
Blue Collar<\/td>1978<\/td>\n<\/tr>\n
The 36th Chamber of Shaolin<\/td>1978<\/td>\n<\/tr>\n
Top Dog<\/td>1978<\/td>\n<\/tr>\n
Invasion of the Body Snatchers<\/td>1978<\/td>\n<\/tr>\n
Halloween<\/td>1978<\/td>\n<\/tr>\n
Watership Down<\/td>1978<\/td>\n<\/tr>\n
Killer of Sheep<\/td>1978<\/td>\n<\/tr>\n
Rockers<\/td>1978<\/td>\n<\/tr>\n
Ordinary Miracle<\/td>1978<\/td>\n<\/tr>\n
Beauty and the Beast<\/td>1978<\/td>\n<\/tr>\n
Straight Time<\/td>1978<\/td>\n<\/tr>\n
All That Jazz<\/td>1979<\/td>\n<\/tr>\n
Monty Python's Life of Brian<\/td>1979<\/td>\n<\/tr>\n
The Very Same Munchhausen<\/td>1979<\/td>\n<\/tr>\n
Rust Never Sleeps<\/td>1979<\/td>\n<\/tr>\n
Tale of Tales<\/td>1979<\/td>\n<\/tr>\n
The Kids Are Alright<\/td>1979<\/td>\n<\/tr>\n
Manhattan<\/td>1979<\/td>\n<\/tr>\n
Being There<\/td>1979<\/td>\n<\/tr>\n
Siberiade<\/td>1979<\/td>\n<\/tr>\n
Nosferatu: The Vampyre<\/td>1979<\/td>\n<\/tr>\n
Scum<\/td>1979<\/td>\n<\/tr>\n
Camera Buff<\/td>1979<\/td>\n<\/tr>\n
The Muppet Movie<\/td>1979<\/td>\n<\/tr>\n
Richard Pryor: Live in Concert<\/td>1979<\/td>\n<\/tr>\n
Legend of the Mountain<\/td>1979<\/td>\n<\/tr>\n
Lupin the Third: The Castle of Cagliostro<\/td>1979<\/td>\n<\/tr>\n
The Marriage of Maria Braun<\/td>1979<\/td>\n<\/tr>\n
The Garage<\/td>1979<\/td>\n<\/tr>\n
Vengeance Is Mine<\/td>1979<\/td>\n<\/tr>\n
Autumn Marathon<\/td>1979<\/td>\n<\/tr>\n
Serie Noire<\/td>1979<\/td>\n<\/tr>\n
Hospital of the Transfiguration<\/td>1979<\/td>\n<\/tr>\n
Rapture<\/td>1979<\/td>\n<\/tr>\n
Ziggy Stardust and the Spiders From Mars<\/td>1979<\/td>\n<\/tr>\n
Bush Mama<\/td>1979<\/td>\n<\/tr>\n
M\u00e2y\u00e2<\/td>1979<\/td>\n<\/tr>\n
Dirty Ho<\/td>1979<\/td>\n<\/tr>\n
Drugstore Romance<\/td>1979<\/td>\n<\/tr>\n
Apocalypse Now<\/td>1979<\/td>\n<\/tr>\n
Stalker<\/td>1979<\/td>\n<\/tr>\n
Alien<\/td>1979<\/td>\n<\/tr>\n
Star Wars: Episode V \u2013 The Empire Strikes Back<\/td>1980<\/td>\n<\/tr>\n
Berlin Alexanderplatz<\/td>1980<\/td>\n<\/tr>\n
The Elephant Man<\/td>1980<\/td>\n<\/tr>\n
Raging Bull<\/td>1980<\/td>\n<\/tr>\n
Kagemusha<\/td>1980<\/td>\n<\/tr>\n
Pixote<\/td>1980<\/td>\n<\/tr>\n
Who's Singin' Over There?<\/td>1980<\/td>\n<\/tr>\n
Sherlock Holmes and Doctor Watson: The Acquaintance<\/td>1980<\/td>\n<\/tr>\n
Sherlock Holmes and Doctor Watson: The Bloody Inscription<\/td>1980<\/td>\n<\/tr>\n
Babylon<\/td>1980<\/td>\n<\/tr>\n
Narcissus and Psyche<\/td>1980<\/td>\n<\/tr>\n
The Blues Brothers<\/td>1980<\/td>\n<\/tr>\n
The Falls<\/td>1980<\/td>\n<\/tr>\n
Personal Problems<\/td>1980<\/td>\n<\/tr>\n
Airplane!<\/td>1980<\/td>\n<\/tr>\n
Adventures of Captain Wrongel<\/td>1980<\/td>\n<\/tr>\n
Talking Heads<\/td>1980<\/td>\n<\/tr>\n
The Adventures of Sherlock Holmes and Doctor Watson: Hunt for the Tiger<\/td>1980<\/td>\n<\/tr>\n
The Adventures of Sherlock Holmes and Doctor Watson: Mortal Fight<\/td>1980<\/td>\n<\/tr>\n
The Long Good Friday<\/td>1980<\/td>\n<\/tr>\n
The Adventures of Sherlock Holmes and Doctor Watson: The Master Blackmailer<\/td>1980<\/td>\n<\/tr>\n
Alexander the Great<\/td>1980<\/td>\n<\/tr>\n
Dangerous Encounters of the First Kind<\/td>1980<\/td>\n<\/tr>\n
Out of the Blue<\/td>1980<\/td>\n<\/tr>\n
The Woman Who Invented Love<\/td>1980<\/td>\n<\/tr>\n
The King and the Mockingbird<\/td>1980<\/td>\n<\/tr>\n
The Shining<\/td>1980<\/td>\n<\/tr>\n
Das Boot<\/td>1981<\/td>\n<\/tr>\n
Possession<\/td>1981<\/td>\n<\/tr>\n
Son of the White Mare<\/td>1981<\/td>\n<\/tr>\n
Raiders of the Lost Ark<\/td>1981<\/td>\n<\/tr>\n
The Adventures of Sherlock Holmes and Dr. Watson: The Hound of the Baskervilles<\/td>1981<\/td>\n<\/tr>\n
Teddy Bear<\/td>1981<\/td>\n<\/tr>\n
My Dinner With Andr\u00e9<\/td>1981<\/td>\n<\/tr>\n
Francisca<\/td>1981<\/td>\n<\/tr>\n
Thief<\/td>1981<\/td>\n<\/tr>\n
The Decline of Western Civilization<\/td>1981<\/td>\n<\/tr>\n
Silvestre<\/td>1981<\/td>\n<\/tr>\n
The Aviator's Wife<\/td>1981<\/td>\n<\/tr>\n
Blow Out<\/td>1981<\/td>\n<\/tr>\n
They Don't Wear Black Tie<\/td>1981<\/td>\n<\/tr>\n
The Road Warrior<\/td>1981<\/td>\n<\/tr>\n
Urgh! A Music War<\/td>1981<\/td>\n<\/tr>\n
Heat-Haze Theatre<\/td>1981<\/td>\n<\/tr>\n
Hit the Bank<\/td>1981<\/td>\n<\/tr>\n
The Mystery of the Third Planet<\/td>1981<\/td>\n<\/tr>\n
In the Wink of an Eye<\/td>1981<\/td>\n<\/tr>\n
An American Werewolf in London<\/td>1981<\/td>\n<\/tr>\n
The Evil Dead<\/td>1981<\/td>\n<\/tr>\n
Too Early, Too Late<\/td>1981<\/td>\n<\/tr>\n
Muddy River<\/td>1981<\/td>\n<\/tr>\n
Agatha and the Limitless Readings<\/td>1981<\/td>\n<\/tr>\n
Blade Runner<\/td>1982<\/td>\n<\/tr>\n
Fanny and Alexander<\/td>1982<\/td>\n<\/tr>\n
Koyaanisqatsi<\/td>1982<\/td>\n<\/tr>\n
Fitzcarraldo<\/td>1982<\/td>\n<\/tr>\n
The King of Comedy<\/td>1982<\/td>\n<\/tr>\n
The Plague Dogs<\/td>1982<\/td>\n<\/tr>\n
Hours for Jerome<\/td>1982<\/td>\n<\/tr>\n
Ana<\/td>1982<\/td>\n<\/tr>\n
Parsifal<\/td>1982<\/td>\n<\/tr>\n
The Blue Planet<\/td>1982<\/td>\n<\/tr>\n
The Angel<\/td>1982<\/td>\n<\/tr>\n
Monty Python Live at the Hollywood Bowl<\/td>1982<\/td>\n<\/tr>\n
There Once Was a Dog<\/td>1982<\/td>\n<\/tr>\n
Burden of Dreams<\/td>1982<\/td>\n<\/tr>\n
Space Runaway Ideon: Be Invoked<\/td>1982<\/td>\n<\/tr>\n
The Snowman<\/td>1982<\/td>\n<\/tr>\n
Veronika Voss<\/td>1982<\/td>\n<\/tr>\n
The Secret of NIMH<\/td>1982<\/td>\n<\/tr>\n
The Verdict<\/td>1982<\/td>\n<\/tr>\n
Mobile Suit Gundam III: Encounters in Space<\/td>1982<\/td>\n<\/tr>\n
Illuminated Texts<\/td>1982<\/td>\n<\/tr>\n
Richard Pryor: Live on the Sunset Strip<\/td>1982<\/td>\n<\/tr>\n
Linnet<\/td>1982<\/td>\n<\/tr>\n
The Atomic Caf\u00e9<\/td>1982<\/td>\n<\/tr>\n
Star Trek II: The Wrath of Khan<\/td>1982<\/td>\n<\/tr>\n
The Island of Love<\/td>1982<\/td>\n<\/tr>\n
Selva: A Portrait of Parvaneh Nava\u00ef<\/td>1982<\/td>\n<\/tr>\n
The Marathon Family<\/td>1982<\/td>\n<\/tr>\n
The Thing<\/td>1982<\/td>\n<\/tr>\n
Sunless<\/td>1983<\/td>\n<\/tr>\n
Nostalgia<\/td>1983<\/td>\n<\/tr>\n
Scarface<\/td>1983<\/td>\n<\/tr>\n
Videodrome<\/td>1983<\/td>\n<\/tr>\n
Daicon IV Opening Animation<\/td>1983<\/td>\n<\/tr>\n
The South<\/td>1983<\/td>\n<\/tr>\n
Dimensions of Dialogue<\/td>1983<\/td>\n<\/tr>\n
City of Pirates<\/td>1983<\/td>\n<\/tr>\n
Wow, a Talking Fish!<\/td>1983<\/td>\n<\/tr>\n
Style Wars<\/td>1983<\/td>\n<\/tr>\n
L' argent<\/td>1983<\/td>\n<\/tr>\n
The Three Crowns of the Sailor<\/td>1983<\/td>\n<\/tr>\n
That Day, on the Beach<\/td>1983<\/td>\n<\/tr>\n
Last Year's Snow Was Falling<\/td>1983<\/td>\n<\/tr>\n
Farewell<\/td>1983<\/td>\n<\/tr>\n
Possibly in Michigan<\/td>1983<\/td>\n<\/tr>\n
The Ballad of Narayama<\/td>1983<\/td>\n<\/tr>\n
Star Wars: Episode VI \u2013 Return of the Jedi<\/td>1983<\/td>\n<\/tr>\n
Dhrupad<\/td>1983<\/td>\n<\/tr>\n
Zelig<\/td>1983<\/td>\n<\/tr>\n
The Boxer's Omen<\/td>1983<\/td>\n<\/tr>\n
The Right Stuff<\/td>1983<\/td>\n<\/tr>\n
Paris, Texas<\/td>1984<\/td>\n<\/tr>\n
Once Upon a Time in America<\/td>1984<\/td>\n<\/tr>\n
Heimat: A Chronicle of Germany<\/td>1984<\/td>\n<\/tr>\n
Threads<\/td>1984<\/td>\n<\/tr>\n
Love Streams<\/td>1984<\/td>\n<\/tr>\n
Amadeus<\/td>1984<\/td>\n<\/tr>\n
Nausica\u00e4 of the Valley of the Wind<\/td>1984<\/td>\n<\/tr>\n
Twenty Years Later<\/td>1984<\/td>\n<\/tr>\n
Streetwise<\/td>1984<\/td>\n<\/tr>\n
This Is Spinal Tap<\/td>1984<\/td>\n<\/tr>\n
The Terminator<\/td>1984<\/td>\n<\/tr>\n
The 8 Diagram Pole Fighter<\/td>1984<\/td>\n<\/tr>\n
Vengeance Is Mine<\/td>1984<\/td>\n<\/tr>\n
The Times of Harvey Milk<\/td>1984<\/td>\n<\/tr>\n
Stranger Than Paradise<\/td>1984<\/td>\n<\/tr>\n
The Super Dimension Fortress Macross: Do You Remember Love?<\/td>1984<\/td>\n<\/tr>\n
Strangler vs. Strangler<\/td>1984<\/td>\n<\/tr>\n
Blood Simple<\/td>1984<\/td>\n<\/tr>\n
Perfect Lives<\/td>1984<\/td>\n<\/tr>\n
Bianca<\/td>1984<\/td>\n<\/tr>\n
The Holy Innocents<\/td>1984<\/td>\n<\/tr>\n
Voyage to Cythera<\/td>1984<\/td>\n<\/tr>\n
Urusei Yatsura 2: Beautiful Dreamer<\/td>1984<\/td>\n<\/tr>\n
Repentance<\/td>1984<\/td>\n<\/tr>\n
Balkan Spy<\/td>1984<\/td>\n<\/tr>\n
Scarecrow<\/td>1984<\/td>\n<\/tr>\n
28 Up<\/td>1984<\/td>\n<\/tr>\n
A Summer at Grandpa's<\/td>1984<\/td>\n<\/tr>\n
Stop Making Sense<\/td>1984<\/td>\n<\/tr>\n
Shoah<\/td>1985<\/td>\n<\/tr>\n
Mishima: A Life in Four Chapters<\/td>1985<\/td>\n<\/tr>\n
Back to the Future<\/td>1985<\/td>\n<\/tr>\n
Angel's Egg<\/td>1985<\/td>\n<\/tr>\n
After Hours<\/td>1985<\/td>\n<\/tr>\n
Brazil<\/td>1985<\/td>\n<\/tr>\n
Manoel's Destinies<\/td>1985<\/td>\n<\/tr>\n
Tampopo<\/td>1985<\/td>\n<\/tr>\n
Taipei Story<\/td>1985<\/td>\n<\/tr>\n
Vagabond<\/td>1985<\/td>\n<\/tr>\n
Night on the Galactic Railroad<\/td>1985<\/td>\n<\/tr>\n
A Time to Live, a Time to Die<\/td>1985<\/td>\n<\/tr>\n
Grim<\/td>1985<\/td>\n<\/tr>\n
Police Story<\/td>1985<\/td>\n<\/tr>\n
My Friend Ivan Lapshin<\/td>1985<\/td>\n<\/tr>\n
A Zed & Two Noughts<\/td>1985<\/td>\n<\/tr>\n
To Live and Die in L.A.<\/td>1985<\/td>\n<\/tr>\n
Day of the Dead<\/td>1985<\/td>\n<\/tr>\n
The Dream of the Last Historian<\/td>1985<\/td>\n<\/tr>\n
The Return of the Living Dead<\/td>1985<\/td>\n<\/tr>\n
Re-Animator<\/td>1985<\/td>\n<\/tr>\n
O-Bi, O-Ba - The End of Civilization<\/td>1985<\/td>\n<\/tr>\n
Sherman's March: A Meditation on the Possibility of Romantic Love in the South During an Era of Nuclear Weapons Proliferation<\/td>1985<\/td>\n<\/tr>\n
The Purple Rose of Cairo<\/td>1985<\/td>\n<\/tr>\n
The Legend of Suram Fortress<\/td>1985<\/td>\n<\/tr>\n
Come and See<\/td>1985<\/td>\n<\/tr>\n
Ran<\/td>1985<\/td>\n<\/tr>\n
Blue Velvet<\/td>1986<\/td>\n<\/tr>\n
The Sacrifice<\/td>1986<\/td>\n<\/tr>\n
The Terrorizers<\/td>1986<\/td>\n<\/tr>\n
Laputa: Castle in the Sky<\/td>1986<\/td>\n<\/tr>\n
The Green Ray<\/td>1986<\/td>\n<\/tr>\n
The Fly<\/td>1986<\/td>\n<\/tr>\n
Aliens<\/td>1986<\/td>\n<\/tr>\n
Jimi Plays Monterey<\/td>1986<\/td>\n<\/tr>\n
Dead Man's Letters<\/td>1986<\/td>\n<\/tr>\n
Down by Law<\/td>1986<\/td>\n<\/tr>\n
The Pied Piper of Hamelin<\/td>1986<\/td>\n<\/tr>\n
Trial on the Road<\/td>1986<\/td>\n<\/tr>\n
Hannah and Her Sisters<\/td>1986<\/td>\n<\/tr>\n
When the Wind Blows<\/td>1986<\/td>\n<\/tr>\n
Movie Dementia<\/td>1986<\/td>\n<\/tr>\n
Hovering Over the Water<\/td>1986<\/td>\n<\/tr>\n
Kin-dza-dza!<\/td>1986<\/td>\n<\/tr>\n
Stand by Me<\/td>1986<\/td>\n<\/tr>\n
Courier<\/td>1986<\/td>\n<\/tr>\n
Landscape Suicide<\/td>1986<\/td>\n<\/tr>\n
\u00bd Man<\/td>1986<\/td>\n<\/tr>\n
His Motorbike, Her Island<\/td>1986<\/td>\n<\/tr>\n
Comrades<\/td>1986<\/td>\n<\/tr>\n
Jean de Florette<\/td>1986<\/td>\n<\/tr>\n
Investigation Held by Kolobki<\/td>1986<\/td>\n<\/tr>\n
Bound for the Fields, the Mountains, and the Seacoast<\/td>1986<\/td>\n<\/tr>\n
Street of Crocodiles<\/td>1986<\/td>\n<\/tr>\n
Manon of the Spring<\/td>1986<\/td>\n<\/tr>\n
True Stories<\/td>1986<\/td>\n<\/tr>\n
Dust in the Wind<\/td>1986<\/td>\n<\/tr>\n
Peking Opera Blues<\/td>1986<\/td>\n<\/tr>\n
Platoon<\/td>1986<\/td>\n<\/tr>\n
'Round Midnight<\/td>1986<\/td>\n<\/tr>\n
Manhunter<\/td>1986<\/td>\n<\/tr>\n
Shadows in Paradise<\/td>1986<\/td>\n<\/tr>\n
Full Metal Jacket<\/td>1987<\/td>\n<\/tr>\n
The Emperor's Naked Army Marches On<\/td>1987<\/td>\n<\/tr>\n
Sign \"\u262e\" the Times<\/td>1987<\/td>\n<\/tr>\n
Where Is the Friend's House?<\/td>1987<\/td>\n<\/tr>\n
Wings of Desire<\/td>1987<\/td>\n<\/tr>\n
Evil Dead II<\/td>1987<\/td>\n<\/tr>\n
Matewan<\/td>1987<\/td>\n<\/tr>\n
Withnail and I<\/td>1987<\/td>\n<\/tr>\n
Laughter and Grief by the White Sea<\/td>1987<\/td>\n<\/tr>\n
The Man Who Planted Trees<\/td>1987<\/td>\n<\/tr>\n
RoboCop<\/td>1987<\/td>\n<\/tr>\n
Superstar: The Karen Carpenter Story<\/td>1987<\/td>\n<\/tr>\n
The Princess Bride<\/td>1987<\/td>\n<\/tr>\n
My Girlfriend's Boyfriend<\/td>1987<\/td>\n<\/tr>\n
Blind Chance<\/td>1987<\/td>\n<\/tr>\n
Goodbye, Children<\/td>1987<\/td>\n<\/tr>\n
The Death of Empedocles<\/td>1987<\/td>\n<\/tr>\n
Four Adventures of Reinette and Mirabelle<\/td>1987<\/td>\n<\/tr>\n
Shake!: Otis at Monterey<\/td>1987<\/td>\n<\/tr>\n
Assa<\/td>1987<\/td>\n<\/tr>\n
Housekeeping<\/td>1987<\/td>\n<\/tr>\n
Predator<\/td>1987<\/td>\n<\/tr>\n
Road<\/td>1987<\/td>\n<\/tr>\n
Grave of the Fireflies<\/td>1988<\/td>\n<\/tr>\n
Akira<\/td>1988<\/td>\n<\/tr>\n
My Neighbor Totoro<\/td>1988<\/td>\n<\/tr>\n
Time of the Gypsies<\/td>1988<\/td>\n<\/tr>\n
Landscape in the Mist<\/td>1988<\/td>\n<\/tr>\n
A Short Film About Love<\/td>1988<\/td>\n<\/tr>\n
Die Hard<\/td>1988<\/td>\n<\/tr>\n
Heart of a Dog<\/td>1988<\/td>\n<\/tr>\n
A Short Film About Killing<\/td>1988<\/td>\n<\/tr>\n
Big Time<\/td>1988<\/td>\n<\/tr>\n
The Vanishing<\/td>1988<\/td>\n<\/tr>\n
Alice<\/td>1988<\/td>\n<\/tr>\n
Damnation<\/td>1988<\/td>\n<\/tr>\n
On the Silver Globe<\/td>1988<\/td>\n<\/tr>\n
The Thin Blue Line<\/td>1988<\/td>\n<\/tr>\n
Cinema Paradiso<\/td>1988<\/td>\n<\/tr>\n
Drowning by Numbers<\/td>1988<\/td>\n<\/tr>\n
The Secret Garden<\/td>1988<\/td>\n<\/tr>\n
Distant Voices, Still Lives<\/td>1988<\/td>\n<\/tr>\n
Who Framed Roger Rabbit<\/td>1988<\/td>\n<\/tr>\n
The Last Temptation of Christ<\/td>1988<\/td>\n<\/tr>\n
Dead Ringers<\/td>1988<\/td>\n<\/tr>\n
Women on the Verge of a Nervous Breakdown<\/td>1988<\/td>\n<\/tr>\n
They Live<\/td>1988<\/td>\n<\/tr>\n
The Naked Gun: From the Files of Police Squad!<\/td>1988<\/td>\n<\/tr>\n
Sound and Fury<\/td>1988<\/td>\n<\/tr>\n
Camp de Thiaroye<\/td>1988<\/td>\n<\/tr>\n
Komitas<\/td>1988<\/td>\n<\/tr>\n
Noisy Requiem<\/td>1988<\/td>\n<\/tr>\n
Mobile Suit Gundam: Char's Counterattack<\/td>1988<\/td>\n<\/tr>\n
Thelonious Monk: Straight, No Chaser<\/td>1988<\/td>\n<\/tr>\n
Do the Right Thing<\/td>1989<\/td>\n<\/tr>\n
Near Death<\/td>1989<\/td>\n<\/tr>\n
Treasure Island<\/td>1989<\/td>\n<\/tr>\n
Tetsuo: The Iron Man<\/td>1989<\/td>\n<\/tr>\n
Nostos: The Return<\/td>1989<\/td>\n<\/tr>\n
The Cook, the Thief, His Wife & Her Lover<\/td>1989<\/td>\n<\/tr>\n
Kiki's Delivery Service<\/td>1989<\/td>\n<\/tr>\n
The Killer<\/td>1989<\/td>\n<\/tr>\n
A City of Sadness<\/td>1989<\/td>\n<\/tr>\n
Tongues Untied<\/td>1989<\/td>\n<\/tr>\n
Crimes and Misdemeanors<\/td>1989<\/td>\n<\/tr>\n
Black Rain<\/td>1989<\/td>\n<\/tr>\n
Interrogation<\/td>1989<\/td>\n<\/tr>\n
Route One\/USA<\/td>1989<\/td>\n<\/tr>\n
For All Mankind<\/td>1989<\/td>\n<\/tr>\n
The Seventh Continent<\/td>1989<\/td>\n<\/tr>\n
Indiana Jones and the Last Crusade<\/td>1989<\/td>\n<\/tr>\n
Water and Power<\/td>1989<\/td>\n<\/tr>\n
Santa sangre<\/td>1989<\/td>\n<\/tr>\n
A Visitor to a Museum<\/td>1989<\/td>\n<\/tr>\n
A Grand Day Out<\/td>1989<\/td>\n<\/tr>\n
Mystery Train<\/td>1989<\/td>\n<\/tr>\n
Depeche Mode: 101<\/td>1989<\/td>\n<\/tr>\n
The Unbelievable Truth<\/td>1989<\/td>\n<\/tr>\n
North Korea: The Parade<\/td>1989<\/td>\n<\/tr>\n
Recollections of the Yellow House<\/td>1989<\/td>\n<\/tr>\n
Darkness, Light, Darkness<\/td>1989<\/td>\n<\/tr>\n
Desert Rose<\/td>1989<\/td>\n<\/tr>\n
Gang of Four<\/td>1989<\/td>\n<\/tr>\n
Isle of Flowers<\/td>1989<\/td>\n<\/tr>\n
Twin Peaks<\/td>1989<\/td>\n<\/tr>\n
The Decalogue<\/td>1989<\/td>\n<\/tr>\n
Close-Up<\/td>1990<\/td>\n<\/tr>\n
Paris Is Burning<\/td>1990<\/td>\n<\/tr>\n
Step Across the Border<\/td>1990<\/td>\n<\/tr>\n
Trust<\/td>1990<\/td>\n<\/tr>\n
Dreams<\/td>1990<\/td>\n<\/tr>\n
Miller's Crossing<\/td>1990<\/td>\n<\/tr>\n
Jacob's Ladder<\/td>1990<\/td>\n<\/tr>\n
Bullet in the Head<\/td>1990<\/td>\n<\/tr>\n
Life Is Sweet<\/td>1990<\/td>\n<\/tr>\n
Strangers in Good Company<\/td>1990<\/td>\n<\/tr>\n
Cloud-Paradise<\/td>1990<\/td>\n<\/tr>\n
Siddheshwari<\/td>1990<\/td>\n<\/tr>\n
Metropolitan<\/td>1990<\/td>\n<\/tr>\n
Taxi Blues<\/td>1990<\/td>\n<\/tr>\n
Total Recall<\/td>1990<\/td>\n<\/tr>\n
The Match Factory Girl<\/td>1990<\/td>\n<\/tr>\n
Slacker<\/td>1990<\/td>\n<\/tr>\n
Misery<\/td>1990<\/td>\n<\/tr>\n
Central Park<\/td>1990<\/td>\n<\/tr>\n
GoodFellas<\/td>1990<\/td>\n<\/tr>\n
The Silence of the Lambs<\/td>1991<\/td>\n<\/tr>\n
Terminator 2: Judgment Day<\/td>1991<\/td>\n<\/tr>\n
Raise the Red Lantern<\/td>1991<\/td>\n<\/tr>\n
The Beautiful Troublemaker<\/td>1991<\/td>\n<\/tr>\n
Barton Fink<\/td>1991<\/td>\n<\/tr>\n
Only Yesterday<\/td>1991<\/td>\n<\/tr>\n
Wax, or the Discovery of Television Among the Bees<\/td>1991<\/td>\n<\/tr>\n
Riki-Oh: The Story of Ricky<\/td>1991<\/td>\n<\/tr>\n
Hearts of Darkness: A Filmmaker's Apocalypse<\/td>1991<\/td>\n<\/tr>\n
A Scene at the Sea<\/td>1991<\/td>\n<\/tr>\n
The Lovers on the Bridge<\/td>1991<\/td>\n<\/tr>\n
The Double Life of Veronique<\/td>1991<\/td>\n<\/tr>\n
Boyz n the Hood<\/td>1991<\/td>\n<\/tr>\n
Night on Earth<\/td>1991<\/td>\n<\/tr>\n
A Child's Garden and the Serious Sea<\/td>1991<\/td>\n<\/tr>\n
Chizuko's Younger Sister<\/td>1991<\/td>\n<\/tr>\n
Center Stage<\/td>1991<\/td>\n<\/tr>\n
Video Days<\/td>1991<\/td>\n<\/tr>\n
A Brighter Summer Day<\/td>1991<\/td>\n<\/tr>\n
Reservoir Dogs<\/td>1992<\/td>\n<\/tr>\n
Heimat II: A Chronicle of a Generation<\/td>1992<\/td>\n<\/tr>\n
Twin Peaks: Fire Walk With Me<\/td>1992<\/td>\n<\/tr>\n
Unforgiven<\/td>1992<\/td>\n<\/tr>\n
Taiga<\/td>1992<\/td>\n<\/tr>\n
Life, and Nothing More...<\/td>1992<\/td>\n<\/tr>\n
Baraka<\/td>1992<\/td>\n<\/tr>\n
Hard Boiled<\/td>1992<\/td>\n<\/tr>\n
Dead Alive<\/td>1992<\/td>\n<\/tr>\n
Malcolm X<\/td>1992<\/td>\n<\/tr>\n
Lessons of Darkness<\/td>1992<\/td>\n<\/tr>\n
The Dream of a Ridiculous Man<\/td>1992<\/td>\n<\/tr>\n
Porco Rosso<\/td>1992<\/td>\n<\/tr>\n
Rebels of the Neon God<\/td>1992<\/td>\n<\/tr>\n
The Quince Tree Sun<\/td>1992<\/td>\n<\/tr>\n
C\u00e9line<\/td>1992<\/td>\n<\/tr>\n
Glengarry Glen Ross<\/td>1992<\/td>\n<\/tr>\n
The Player<\/td>1992<\/td>\n<\/tr>\n
The Long Day Closes<\/td>1992<\/td>\n<\/tr>\n
Hyenas<\/td>1992<\/td>\n<\/tr>\n
Food<\/td>1992<\/td>\n<\/tr>\n
Videograms of a Revolution<\/td>1992<\/td>\n<\/tr>\n
The Thief and the Cobbler<\/td>1992<\/td>\n<\/tr>\n
Ghostwatch<\/td>1992<\/td>\n<\/tr>\n
Man Bites Dog<\/td>1992<\/td>\n<\/tr>\n
Pigs<\/td>1992<\/td>\n<\/tr>\n
The Amazonian Angel<\/td>1992<\/td>\n<\/tr>\n
The Bohemian Life<\/td>1992<\/td>\n<\/tr>\n
The Stolen Children<\/td>1992<\/td>\n<\/tr>\n
Husbands and Wives<\/td>1992<\/td>\n<\/tr>\n
Bad Lieutenant<\/td>1992<\/td>\n<\/tr>\n
The Muppet Christmas Carol<\/td>1992<\/td>\n<\/tr>\n
The Wrong Trousers<\/td>1993<\/td>\n<\/tr>\n
Schindler's List<\/td>1993<\/td>\n<\/tr>\n
Depeche Mode: Devotional<\/td>1993<\/td>\n<\/tr>\n
Naked<\/td>1993<\/td>\n<\/tr>\n
Blue<\/td>1993<\/td>\n<\/tr>\n
Short Cuts<\/td>1993<\/td>\n<\/tr>\n
Patlabor 2: The Movie<\/td>1993<\/td>\n<\/tr>\n
Three Colours: Blue<\/td>1993<\/td>\n<\/tr>\n
Buccaneer Soul<\/td>1993<\/td>\n<\/tr>\n
Moving<\/td>1993<\/td>\n<\/tr>\n
Groundhog Day<\/td>1993<\/td>\n<\/tr>\n
Sonatine<\/td>1993<\/td>\n<\/tr>\n
Green Snake<\/td>1993<\/td>\n<\/tr>\n
Farewell, My Concubine<\/td>1993<\/td>\n<\/tr>\n
Abraham's Valley<\/td>1993<\/td>\n<\/tr>\n
Carlito's Way<\/td>1993<\/td>\n<\/tr>\n
Kanehsatake: 270 Years of Resistance<\/td>1993<\/td>\n<\/tr>\n
In the Name of the Father<\/td>1993<\/td>\n<\/tr>\n
The Nightmare Before Christmas<\/td>1993<\/td>\n<\/tr>\n
From the East<\/td>1993<\/td>\n<\/tr>\n
The Puppetmaster<\/td>1993<\/td>\n<\/tr>\n
The Bed You Sleep In<\/td>1993<\/td>\n<\/tr>\n
The Remains of the Day<\/td>1993<\/td>\n<\/tr>\n
Bad Boy Bubby<\/td>1993<\/td>\n<\/tr>\n
Batman: Mask of the Phantasm<\/td>1993<\/td>\n<\/tr>\n
Terminal USA<\/td>1993<\/td>\n<\/tr>\n
Menace II Society<\/td>1993<\/td>\n<\/tr>\n
Jurassic Park<\/td>1993<\/td>\n<\/tr>\n
The Shawshank Redemption<\/td>1994<\/td>\n<\/tr>\n
Chungking Express<\/td>1994<\/td>\n<\/tr>\n
Hoop Dreams<\/td>1994<\/td>\n<\/tr>\n
Three Colours: Red<\/td>1994<\/td>\n<\/tr>\n
Crumb<\/td>1994<\/td>\n<\/tr>\n
Ed Wood<\/td>1994<\/td>\n<\/tr>\n
Vive l'amour<\/td>1994<\/td>\n<\/tr>\n
Portrait of a Young Girl at the End of the 60s in Brussels<\/td>1994<\/td>\n<\/tr>\n
To Live<\/td>1994<\/td>\n<\/tr>\n
In the Heat of the Sun<\/td>1994<\/td>\n<\/tr>\n
Palms<\/td>1994<\/td>\n<\/tr>\n
Black Is... Black Ain't<\/td>1994<\/td>\n<\/tr>\n
What Happened Was...<\/td>1994<\/td>\n<\/tr>\n
Through the Olive Trees<\/td>1994<\/td>\n<\/tr>\n
Clerks<\/td>1994<\/td>\n<\/tr>\n
L\u00e9on: The Professional<\/td>1994<\/td>\n<\/tr>\n
The Lion King<\/td>1994<\/td>\n<\/tr>\n
Why is Yellow Middle of the Rainbow?<\/td>1994<\/td>\n<\/tr>\n
U.S. Go Home<\/td>1994<\/td>\n<\/tr>\n
Faust<\/td>1994<\/td>\n<\/tr>\n
Forrest Gump<\/td>1994<\/td>\n<\/tr>\n
Exotica<\/td>1994<\/td>\n<\/tr>\n
Metal and Melancholy<\/td>1994<\/td>\n<\/tr>\n
Pulp Fiction<\/td>1994<\/td>\n<\/tr>\n
Satantango<\/td>1994<\/td>\n<\/tr>\n
Hate<\/td>1995<\/td>\n<\/tr>\n
Before Sunrise<\/td>1995<\/td>\n<\/tr>\n
Underground<\/td>1995<\/td>\n<\/tr>\n
Se7en<\/td>1995<\/td>\n<\/tr>\n
Fallen Angels<\/td>1995<\/td>\n<\/tr>\n
Heat<\/td>1995<\/td>\n<\/tr>\n
Toy Story<\/td>1995<\/td>\n<\/tr>\n
Ghost in the Shell<\/td>1995<\/td>\n<\/tr>\n
Casino<\/td>1995<\/td>\n<\/tr>\n
Dead Man<\/td>1995<\/td>\n<\/tr>\n
August in the Water<\/td>1995<\/td>\n<\/tr>\n
A Close Shave<\/td>1995<\/td>\n<\/tr>\n
Maborosi<\/td>1995<\/td>\n<\/tr>\n
Whisper of the Heart<\/td>1995<\/td>\n<\/tr>\n
Safe<\/td>1995<\/td>\n<\/tr>\n
God's Comedy<\/td>1995<\/td>\n<\/tr>\n
12 Monkeys<\/td>1995<\/td>\n<\/tr>\n
The Ceremony<\/td>1995<\/td>\n<\/tr>\n
When I Close My Eyes<\/td>1995<\/td>\n<\/tr>\n
Up, Down, Fragile<\/td>1995<\/td>\n<\/tr>\n
Tokyo Fist<\/td>1995<\/td>\n<\/tr>\n
Ulysses' Gaze<\/td>1995<\/td>\n<\/tr>\n
The Enclosed Valley<\/td>1995<\/td>\n<\/tr>\n
Mother Dao, the Turtlelike<\/td>1995<\/td>\n<\/tr>\n
Spiritual Voices. From the Diaries of the War. The Story in Five Parts<\/td>1995<\/td>\n<\/tr>\n
The Usual Suspects<\/td>1995<\/td>\n<\/tr>\n
The Bridges of Madison County<\/td>1995<\/td>\n<\/tr>\n
Fargo<\/td>1996<\/td>\n<\/tr>\n
Trainspotting<\/td>1996<\/td>\n<\/tr>\n
Secrets & Lies<\/td>1996<\/td>\n<\/tr>\n
A Moment of Innocence<\/td>1996<\/td>\n<\/tr>\n
Gilles Deleuze From A to Z<\/td>1996<\/td>\n<\/tr>\n
Paradise Lost: The Child Murders at Robin Hood Hills<\/td>1996<\/td>\n<\/tr>\n
A Summer's Tale<\/td>1996<\/td>\n<\/tr>\n
Breaking the Waves<\/td>1996<\/td>\n<\/tr>\n
Voices Through Time<\/td>1996<\/td>\n<\/tr>\n
Sling Blade<\/td>1996<\/td>\n<\/tr>\n
Drifting Clouds<\/td>1996<\/td>\n<\/tr>\n
(Haru)<\/td>1996<\/td>\n<\/tr>\n
Comrades: Almost a Love Story<\/td>1996<\/td>\n<\/tr>\n
When We Were Kings<\/td>1996<\/td>\n<\/tr>\n
Swallowtail Butterfly<\/td>1996<\/td>\n<\/tr>\n
The Watermelon Woman<\/td>1996<\/td>\n<\/tr>\n
The Promise<\/td>1996<\/td>\n<\/tr>\n
Microcosmos<\/td>1996<\/td>\n<\/tr>\n
Rabid Dogs<\/td>1996<\/td>\n<\/tr>\n
Pretty Village, Pretty Flame<\/td>1996<\/td>\n<\/tr>\n
Mahjong<\/td>1996<\/td>\n<\/tr>\n
Kids Return<\/td>1996<\/td>\n<\/tr>\n
Conspirators of Pleasure<\/td>1996<\/td>\n<\/tr>\n
Perfect Blue<\/td>1997<\/td>\n<\/tr>\n
Cure<\/td>1997<\/td>\n<\/tr>\n
Lost Highway<\/td>1997<\/td>\n<\/tr>\n
Taste of Cherry<\/td>1997<\/td>\n<\/tr>\n
Boogie Nights<\/td>1997<\/td>\n<\/tr>\n
PNYC: Portishead - Roseland New York<\/td>1997<\/td>\n<\/tr>\n
Fireworks<\/td>1997<\/td>\n<\/tr>\n
Happy Together<\/td>1997<\/td>\n<\/tr>\n
Lucky Three<\/td>1997<\/td>\n<\/tr>\n
Mother and Son<\/td>1997<\/td>\n<\/tr>\n
Nowhere<\/td>1997<\/td>\n<\/tr>\n
L.A. Confidential<\/td>1997<\/td>\n<\/tr>\n
Jackie Brown<\/td>1997<\/td>\n<\/tr>\n
Train of Shadows: The Specter of Le Thuit<\/td>1997<\/td>\n<\/tr>\n
Sick: The Life & Death of Bob Flanagan, Supermasochist<\/td>1997<\/td>\n<\/tr>\n
Funny Games<\/td>1997<\/td>\n<\/tr>\n
Public Housing<\/td>1997<\/td>\n<\/tr>\n
Gummo<\/td>1997<\/td>\n<\/tr>\n
Postman Blues<\/td>1997<\/td>\n<\/tr>\n
Mirror<\/td>1997<\/td>\n<\/tr>\n
Welcome Back, Mr. McDonald<\/td>1997<\/td>\n<\/tr>\n
The River<\/td>1997<\/td>\n<\/tr>\n
Good Will Hunting<\/td>1997<\/td>\n<\/tr>\n
Suzaku<\/td>1997<\/td>\n<\/tr>\n
Made in Hong Kong<\/td>1997<\/td>\n<\/tr>\n
Children of Heaven<\/td>1997<\/td>\n<\/tr>\n
The End of Evangelion<\/td>1997<\/td>\n<\/tr>\n
Princess Mononoke<\/td>1997<\/td>\n<\/tr>\n
The Big Lebowski<\/td>1998<\/td>\n<\/tr>\n
The Celebration<\/td>1998<\/td>\n<\/tr>\n
Histoire(s) du cin\u00e9ma<\/td>1998<\/td>\n<\/tr>\n
The Truman Show<\/td>1998<\/td>\n<\/tr>\n
The Thin Red Line<\/td>1998<\/td>\n<\/tr>\n
Happiness<\/td>1998<\/td>\n<\/tr>\n
Love & Pop<\/td>1998<\/td>\n<\/tr>\n
Buffalo '66<\/td>1998<\/td>\n<\/tr>\n
The Hole<\/td>1998<\/td>\n<\/tr>\n
After Life<\/td>1998<\/td>\n<\/tr>\n
Khrustalyov, My Car!<\/td>1998<\/td>\n<\/tr>\n
Hitman Hart: Wrestling With Shadows<\/td>1998<\/td>\n<\/tr>\n
Eternity and a Day<\/td>1998<\/td>\n<\/tr>\n
Lock, Stock & Two Smoking Barrels<\/td>1998<\/td>\n<\/tr>\n
Rushmore<\/td>1998<\/td>\n<\/tr>\n
Histoire(s) du cin\u00e9ma 3A : La monnaie de l'absolu<\/td>1998<\/td>\n<\/tr>\n
Black Cat, White Cat<\/td>1998<\/td>\n<\/tr>\n
Fear and Loathing in Las Vegas<\/td>1998<\/td>\n<\/tr>\n
Flowers of Shanghai<\/td>1998<\/td>\n<\/tr>\n
American History X<\/td>1998<\/td>\n<\/tr>\n
The Outskirts<\/td>1998<\/td>\n<\/tr>\n
The Cruise<\/td>1998<\/td>\n<\/tr>\n
Variations<\/td>1998<\/td>\n<\/tr>\n
Autumn Tale<\/td>1998<\/td>\n<\/tr>\n
Secret Defense<\/td>1998<\/td>\n<\/tr>\n
Saving Private Ryan<\/td>1998<\/td>\n<\/tr>\n
Central Station<\/td>1998<\/td>\n<\/tr>\n
Fight Club<\/td>1999<\/td>\n<\/tr>\n
Belfast, Maine<\/td>1999<\/td>\n<\/tr>\n
Eyes Wide Shut<\/td>1999<\/td>\n<\/tr>\n
Magnolia<\/td>1999<\/td>\n<\/tr>\n
Adolescence of Utena<\/td>1999<\/td>\n<\/tr>\n
The Matrix<\/td>1999<\/td>\n<\/tr>\n
The Iron Giant<\/td>1999<\/td>\n<\/tr>\n
American Movie<\/td>1999<\/td>\n<\/tr>\n
Good Work<\/td>1999<\/td>\n<\/tr>\n
Being John Malkovich<\/td>1999<\/td>\n<\/tr>\n
Rurouni Kenshin: Trust & Betrayal<\/td>1999<\/td>\n<\/tr>\n
American Beauty<\/td>1999<\/td>\n<\/tr>\n
The Straight Story<\/td>1999<\/td>\n<\/tr>\n
Ghost Dog: The Way of the Samurai<\/td>1999<\/td>\n<\/tr>\n
Kikujiro<\/td>1999<\/td>\n<\/tr>\n
Peppermint Candy<\/td>1999<\/td>\n<\/tr>\n
Rosetta<\/td>1999<\/td>\n<\/tr>\n
The Color of Paradise<\/td>1999<\/td>\n<\/tr>\n
The Debt<\/td>1999<\/td>\n<\/tr>\n
Instrument<\/td>1999<\/td>\n<\/tr>\n
Beyond the Mat<\/td>1999<\/td>\n<\/tr>\n
The Wind Will Carry Us<\/td>1999<\/td>\n<\/tr>\n
Toy Story 2<\/td>1999<\/td>\n<\/tr>\n
Outer Space<\/td>1999<\/td>\n<\/tr>\n
Office Space<\/td>1999<\/td>\n<\/tr>\n
The Insider<\/td>1999<\/td>\n<\/tr>\n
All About My Mother<\/td>1999<\/td>\n<\/tr>\n
Julien Donkey-Boy<\/td>1999<\/td>\n<\/tr>\n
My Best Fiend<\/td>1999<\/td>\n<\/tr>\n
Ratcatcher<\/td>1999<\/td>\n<\/tr>\n
Audition<\/td>1999<\/td>\n<\/tr>\n
Wojaczek<\/td>1999<\/td>\n<\/tr>\n
The Spousals of God<\/td>1999<\/td>\n<\/tr>\n
Eddie Izzard: Dress to Kill<\/td>1999<\/td>\n<\/tr>\n
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty<\/td>2000<\/td>\n<\/tr>\n
Werckmeister Harmonies<\/td>2000<\/td>\n<\/tr>\n
Eureka<\/td>2000<\/td>\n<\/tr>\n
In the Mood for Love<\/td>2000<\/td>\n<\/tr>\n
Memento<\/td>2000<\/td>\n<\/tr>\n
Ritual<\/td>2000<\/td>\n<\/tr>\n
Devils on the Doorstep<\/td>2000<\/td>\n<\/tr>\n
La Commune (Paris, 1871)<\/td>2000<\/td>\n<\/tr>\n
Dave Chappelle: Killin' Them Softly<\/td>2000<\/td>\n<\/tr>\n
The Gleaners and I<\/td>2000<\/td>\n<\/tr>\n
In Vanda's Room<\/td>2000<\/td>\n<\/tr>\n
American Psycho<\/td>2000<\/td>\n<\/tr>\n
A Dog's Will<\/td>2000<\/td>\n<\/tr>\n
Love's a Bitch<\/td>2000<\/td>\n<\/tr>\n
Platform<\/td>2000<\/td>\n<\/tr>\n
Dancer in the Dark<\/td>2000<\/td>\n<\/tr>\n
Snatch.<\/td>2000<\/td>\n<\/tr>\n
Nine Queens<\/td>2000<\/td>\n<\/tr>\n
Requiem for a Dream<\/td>2000<\/td>\n<\/tr>\n
Daria: Is It Fall Yet?<\/td>2000<\/td>\n<\/tr>\n
You Can Count on Me<\/td>2000<\/td>\n<\/tr>\n
Letter From a Filmmaker to His Daughter<\/td>2000<\/td>\n<\/tr>\n
Songs from the Second Floor<\/td>2000<\/td>\n<\/tr>\n
Vampire Hunter D: Bloodlust<\/td>2000<\/td>\n<\/tr>\n
Dark Days<\/td>2000<\/td>\n<\/tr>\n
The Filth and the Fury<\/td>2000<\/td>\n<\/tr>\n
J.S.A.: Joint Security Area<\/td>2000<\/td>\n<\/tr>\n
Love Torn in a Dream<\/td>2000<\/td>\n<\/tr>\n
O Brother, Where Art Thou?<\/td>2000<\/td>\n<\/tr>\n
Yi Yi<\/td>2000<\/td>\n<\/tr>\n
The Lord of the Rings: The Fellowship of the Ring<\/td>2001<\/td>\n<\/tr>\n
All About Lily Chou-Chou<\/td>2001<\/td>\n<\/tr>\n
The Piano Teacher<\/td>2001<\/td>\n<\/tr>\n
Millennium Actress<\/td>2001<\/td>\n<\/tr>\n
Domestic Violence<\/td>2001<\/td>\n<\/tr>\n
What Time Is It There?<\/td>2001<\/td>\n<\/tr>\n
The Royal Tenenbaums<\/td>2001<\/td>\n<\/tr>\n
Samurai Jack: The Premiere Movie<\/td>2001<\/td>\n<\/tr>\n
Crayon Shin-chan: The Storm Called: The Adult Empire Strikes Back<\/td>2001<\/td>\n<\/tr>\n
The Pricemaster<\/td>2001<\/td>\n<\/tr>\n
And Your Mother Too<\/td>2001<\/td>\n<\/tr>\n
West Side Avenue<\/td>2001<\/td>\n<\/tr>\n
Donnie Darko<\/td>2001<\/td>\n<\/tr>\n
Am\u00e9lie<\/td>2001<\/td>\n<\/tr>\n
A Place on Earth<\/td>2001<\/td>\n<\/tr>\n
The Man Who Wasn't There<\/td>2001<\/td>\n<\/tr>\n
Cat Soup<\/td>2001<\/td>\n<\/tr>\n
Monsters, Inc.<\/td>2001<\/td>\n<\/tr>\n
Work in Progress<\/td>2001<\/td>\n<\/tr>\n
Children Underground<\/td>2001<\/td>\n<\/tr>\n
Waiting for Godot<\/td>2001<\/td>\n<\/tr>\n
George Carlin: Complaints & Grievances<\/td>2001<\/td>\n<\/tr>\n
Ghost World<\/td>2001<\/td>\n<\/tr>\n
Cowboy Bebop: Knockin' on Heaven's Door<\/td>2001<\/td>\n<\/tr>\n
Fragile As the World<\/td>2001<\/td>\n<\/tr>\n
Mulholland Dr.<\/td>2001<\/td>\n<\/tr>\n
Spirited Away<\/td>2001<\/td>\n<\/tr>\n
Tie Xi Qu: West of the Tracks<\/td>2002<\/td>\n<\/tr>\n
City of God<\/td>2002<\/td>\n<\/tr>\n
The Lord of the Rings: The Two Towers<\/td>2002<\/td>\n<\/tr>\n
Master: A Building in Copacabana<\/td>2002<\/td>\n<\/tr>\n
The Pianist<\/td>2002<\/td>\n<\/tr>\n
Day of the Wacko<\/td>2002<\/td>\n<\/tr>\n
Punch-Drunk Love<\/td>2002<\/td>\n<\/tr>\n
Adaptation.<\/td>2002<\/td>\n<\/tr>\n
Reflections of Evil<\/td>2002<\/td>\n<\/tr>\n
Oasis<\/td>2002<\/td>\n<\/tr>\n
Lilja 4-ever<\/td>2002<\/td>\n<\/tr>\n
At the First Breath of Wind<\/td>2002<\/td>\n<\/tr>\n
Blissfully Yours<\/td>2002<\/td>\n<\/tr>\n
The Twilight Samurai<\/td>2002<\/td>\n<\/tr>\n
Zero Day<\/td>2002<\/td>\n<\/tr>\n
Talk to Her<\/td>2002<\/td>\n<\/tr>\n
Sympathy for Mr. Vengeance<\/td>2002<\/td>\n<\/tr>\n
The Man Without a Past<\/td>2002<\/td>\n<\/tr>\n
Dolls<\/td>2002<\/td>\n<\/tr>\n
The Son<\/td>2002<\/td>\n<\/tr>\n
Daria: Is It College Yet?<\/td>2002<\/td>\n<\/tr>\n
Oldboy<\/td>2003<\/td>\n<\/tr>\n
Memories of Murder<\/td>2003<\/td>\n<\/tr>\n
The Lord of the Rings: The Return of the King<\/td>2003<\/td>\n<\/tr>\n
Dogville<\/td>2003<\/td>\n<\/tr>\n
Los Angeles Plays Itself<\/td>2003<\/td>\n<\/tr>\n
The Best of Youth<\/td>2003<\/td>\n<\/tr>\n
Kill Bill: Vol. 1<\/td>2003<\/td>\n<\/tr>\n
Goodbye, Dragon Inn<\/td>2003<\/td>\n<\/tr>\n
Tokyo Godfathers<\/td>2003<\/td>\n<\/tr>\n
Lost in Translation<\/td>2003<\/td>\n<\/tr>\n
The Return<\/td>2003<\/td>\n<\/tr>\n
Early Monthly Segments<\/td>2003<\/td>\n<\/tr>\n
Spring, Summer, Autumn, Winter... and Spring<\/td>2003<\/td>\n<\/tr>\n
The Cure: Trilogy<\/td>2003<\/td>\n<\/tr>\n
The Story of Marie and Julien<\/td>2003<\/td>\n<\/tr>\n
Interstella 5555: The 5tory of the 5ecret 5tar 5ystem<\/td>2003<\/td>\n<\/tr>\n
Searching for the Wrong-Eyed Jesus<\/td>2003<\/td>\n<\/tr>\n
The Fog of War: Eleven Lessons From the Life of Robert S. McNamara<\/td>2003<\/td>\n<\/tr>\n
Dying at Grace<\/td>2003<\/td>\n<\/tr>\n
End of the Century: The Story of the Ramones<\/td>2003<\/td>\n<\/tr>\n
Yeah Right!<\/td>2003<\/td>\n<\/tr>\n
Eternal Sunshine of the Spotless Mind<\/td>2004<\/td>\n<\/tr>\n
Before Sunset<\/td>2004<\/td>\n<\/tr>\n
Mysterious Skin<\/td>2004<\/td>\n<\/tr>\n
Mind Game<\/td>2004<\/td>\n<\/tr>\n
Tropical Malady<\/td>2004<\/td>\n<\/tr>\n
Nobody Knows<\/td>2004<\/td>\n<\/tr>\n
Swing Girls<\/td>2004<\/td>\n<\/tr>\n
Dave Chappelle: For What It's Worth<\/td>2004<\/td>\n<\/tr>\n
Chain<\/td>2004<\/td>\n<\/tr>\n
Howl's Moving Castle<\/td>2004<\/td>\n<\/tr>\n
Trilogy: The Weeping Meadow<\/td>2004<\/td>\n<\/tr>\n
The Taste of Tea<\/td>2004<\/td>\n<\/tr>\n
Downfall<\/td>2004<\/td>\n<\/tr>\n
Evolution of a Filipino Family<\/td>2004<\/td>\n<\/tr>\n
The Wedding<\/td>2004<\/td>\n<\/tr>\n
Shaun of the Dead<\/td>2004<\/td>\n<\/tr>\n
3-Iron<\/td>2004<\/td>\n<\/tr>\n
Alone in the Wilderness<\/td>2004<\/td>\n<\/tr>\n
The Incredibles<\/td>2004<\/td>\n<\/tr>\n
The SpongeBob SquarePants Movie<\/td>2004<\/td>\n<\/tr>\n
The Rise and Fall of ECW<\/td>2004<\/td>\n<\/tr>\n
The Bridge of Arts<\/td>2004<\/td>\n<\/tr>\n
Kill Bill: Vol. 2<\/td>2004<\/td>\n<\/tr>\n
Be Here to Love Me: A Film About Townes Van Zandt<\/td>2004<\/td>\n<\/tr>\n
Dig!<\/td>2004<\/td>\n<\/tr>\n
Head-On<\/td>2004<\/td>\n<\/tr>\n
Pusher II<\/td>2004<\/td>\n<\/tr>\n
Turtles Can Fly<\/td>2004<\/td>\n<\/tr>\n
Beautiful Dreamer: Brian Wilson and the Story of 'Smile'<\/td>2004<\/td>\n<\/tr>\n
Machuca<\/td>2004<\/td>\n<\/tr>\n
No Direction Home: Bob Dylan<\/td>2005<\/td>\n<\/tr>\n
The Devil and Daniel Johnston<\/td>2005<\/td>\n<\/tr>\n
Grizzly Man<\/td>2005<\/td>\n<\/tr>\n
Workingman's Death<\/td>2005<\/td>\n<\/tr>\n
Linda Linda Linda<\/td>2005<\/td>\n<\/tr>\n
Hidden<\/td>2005<\/td>\n<\/tr>\n
We Jam Econo: The Story of the Minutemen<\/td>2005<\/td>\n<\/tr>\n
Baker 3<\/td>2005<\/td>\n<\/tr>\n
Ghost in the Shell: Stand Alone Complex - The Laughing Man<\/td>2005<\/td>\n<\/tr>\n
My God, My God, Why Hast Thou Forsaken Me?<\/td>2005<\/td>\n<\/tr>\n
The Death of Mr. Lazarescu<\/td>2005<\/td>\n<\/tr>\n
Noriko's Dinner Table<\/td>2005<\/td>\n<\/tr>\n
49 Up<\/td>2005<\/td>\n<\/tr>\n
Lunacy<\/td>2005<\/td>\n<\/tr>\n
The Flaming Lips: The Fearless Freaks<\/td>2005<\/td>\n<\/tr>\n
Flic<\/td>2005<\/td>\n<\/tr>\n
When the Levees Broke: A Requiem in Four Acts<\/td>2006<\/td>\n<\/tr>\n
Syndromes and a Century<\/td>2006<\/td>\n<\/tr>\n
Inland Empire<\/td>2006<\/td>\n<\/tr>\n
The Departed<\/td>2006<\/td>\n<\/tr>\n
Children of Men<\/td>2006<\/td>\n<\/tr>\n
Everything Will Be OK<\/td>2006<\/td>\n<\/tr>\n
Pan's Labyrinth<\/td>2006<\/td>\n<\/tr>\n
The Lives of Others<\/td>2006<\/td>\n<\/tr>\n
Colossal Youth<\/td>2006<\/td>\n<\/tr>\n
Paprika<\/td>2006<\/td>\n<\/tr>\n
Lake of Fire<\/td>2006<\/td>\n<\/tr>\n
The Prestige<\/td>2006<\/td>\n<\/tr>\n
This Is England<\/td>2006<\/td>\n<\/tr>\n
Still Life<\/td>2006<\/td>\n<\/tr>\n
I Don't Want to Sleep Alone<\/td>2006<\/td>\n<\/tr>\n
Memories of Matsuko<\/td>2006<\/td>\n<\/tr>\n
Heremias (Book One: The Legend of the Lizard Princess)<\/td>2006<\/td>\n<\/tr>\n
No Country for Old Men<\/td>2007<\/td>\n<\/tr>\n
Heima<\/td>2007<\/td>\n<\/tr>\n
Hot Fuzz<\/td>2007<\/td>\n<\/tr>\n
I-Be AREA<\/td>2007<\/td>\n<\/tr>\n
4 Months, 3 Weeks and 2 Days<\/td>2007<\/td>\n<\/tr>\n
Death in the Land of Encantos<\/td>2007<\/td>\n<\/tr>\n
Ratatouille<\/td>2007<\/td>\n<\/tr>\n
The Assassination of Jesse James by the Coward Robert Ford<\/td>2007<\/td>\n<\/tr>\n
Encounters at the End of the World<\/td>2007<\/td>\n<\/tr>\n
My Winnipeg<\/td>2007<\/td>\n<\/tr>\n
Playing<\/td>2007<\/td>\n<\/tr>\n
Secret Sunshine<\/td>2007<\/td>\n<\/tr>\n
Zodiac<\/td>2007<\/td>\n<\/tr>\n
Persepolis<\/td>2007<\/td>\n<\/tr>\n
At Sea<\/td>2007<\/td>\n<\/tr>\n
The Diving Bell and the Butterfly<\/td>2007<\/td>\n<\/tr>\n
Fake Blond<\/td>2007<\/td>\n<\/tr>\n
There Will Be Blood<\/td>2007<\/td>\n<\/tr>\n
WALL\u00b7E<\/td>2008<\/td>\n<\/tr>\n
Synecdoche, New York<\/td>2008<\/td>\n<\/tr>\n
The Dark Knight<\/td>2008<\/td>\n<\/tr>\n
Still Walking<\/td>2008<\/td>\n<\/tr>\n
I Am So Proud of You<\/td>2008<\/td>\n<\/tr>\n
The Garden of Sinners Chapter 5: Paradox Spiral<\/td>2008<\/td>\n<\/tr>\n
Extraordinary Stories<\/td>2008<\/td>\n<\/tr>\n
102 Minutes That Changed America<\/td>2008<\/td>\n<\/tr>\n
In Bruges<\/td>2008<\/td>\n<\/tr>\n
Let the Right One In<\/td>2008<\/td>\n<\/tr>\n
The Wrestler<\/td>2008<\/td>\n<\/tr>\n
Tokyo Sonata<\/td>2008<\/td>\n<\/tr>\n
The Beaches of Agn\u00e8s<\/td>2008<\/td>\n<\/tr>\n
George Carlin: It's Bad for Ya<\/td>2008<\/td>\n<\/tr>\n
Waltz with Bashir<\/td>2008<\/td>\n<\/tr>\n
Ponyo<\/td>2008<\/td>\n<\/tr>\n
Cinemassacre 200<\/td>2008<\/td>\n<\/tr>\n
Anvil! The Story of Anvil<\/td>2008<\/td>\n<\/tr>\n
Dear Zachary: A Letter to a Son About His Father<\/td>2008<\/td>\n<\/tr>\n
Wendy and Lucy<\/td>2008<\/td>\n<\/tr>\n
Love Exposure<\/td>2008<\/td>\n<\/tr>\n
Mary and Max<\/td>2009<\/td>\n<\/tr>\n
Inglourious Basterds<\/td>2009<\/td>\n<\/tr>\n
Fantastic Mr. Fox<\/td>2009<\/td>\n<\/tr>\n
Coraline<\/td>2009<\/td>\n<\/tr>\n
The White Ribbon<\/td>2009<\/td>\n<\/tr>\n
Ed, Edd n Eddy's Big Picture Show<\/td>2009<\/td>\n<\/tr>\n
Mother<\/td>2009<\/td>\n<\/tr>\n
Up<\/td>2009<\/td>\n<\/tr>\n
Black Dynamite<\/td>2009<\/td>\n<\/tr>\n
About Elly<\/td>2009<\/td>\n<\/tr>\n
Monty Python: Almost the Truth - The Lawyer's Cut<\/td>2009<\/td>\n<\/tr>\n
A Town Called Panic<\/td>2009<\/td>\n<\/tr>\n
A Prophet<\/td>2009<\/td>\n<\/tr>\n
Synth Britannia<\/td>2009<\/td>\n<\/tr>\n
Caf\u00e9 Noir<\/td>2009<\/td>\n<\/tr>\n
A Serious Man<\/td>2009<\/td>\n<\/tr>\n
Henri-Georges Clouzot's Inferno<\/td>2009<\/td>\n<\/tr>\n
Castaway on the Moon<\/td>2009<\/td>\n<\/tr>\n
The Disappearance of Haruhi Suzumiya<\/td>2010<\/td>\n<\/tr>\n
Dreaming Films<\/td>2010<\/td>\n<\/tr>\n
Who Killed Captain Alex?<\/td>2010<\/td>\n<\/tr>\n
Toy Story 3<\/td>2010<\/td>\n<\/tr>\n
Senna<\/td>2010<\/td>\n<\/tr>\n
Incendies<\/td>2010<\/td>\n<\/tr>\n
Mysteries of Lisbon<\/td>2010<\/td>\n<\/tr>\n
Never Sleep Again: The Elm Street Legacy<\/td>2010<\/td>\n<\/tr>\n
Poetry<\/td>2010<\/td>\n<\/tr>\n
Rush: Beyond the Lighted Stage<\/td>2010<\/td>\n<\/tr>\n
June 17th, 1994<\/td>2010<\/td>\n<\/tr>\n
Black Swan<\/td>2010<\/td>\n<\/tr>\n
No Distance Left to Run<\/td>2010<\/td>\n<\/tr>\n
Louis C.K.: Hilarious<\/td>2010<\/td>\n<\/tr>\n
Inception<\/td>2010<\/td>\n<\/tr>\n
Uncle Boonmee Who Can Recall His Past Lives<\/td>2010<\/td>\n<\/tr>\n
Certified Copy<\/td>2010<\/td>\n<\/tr>\n
Reindeerspotting: Escape From Santaland<\/td>2010<\/td>\n<\/tr>\n
The Social Network<\/td>2010<\/td>\n<\/tr>\n
The Illusionist<\/td>2010<\/td>\n<\/tr>\n
A Separation<\/td>2011<\/td>\n<\/tr>\n
The Turin Horse<\/td>2011<\/td>\n<\/tr>\n
It's Such a Beautiful Day<\/td>2011<\/td>\n<\/tr>\n
The Phantom of the Opera at the Royal Albert Hall<\/td>2011<\/td>\n<\/tr>\n
K-ON! Movie<\/td>2011<\/td>\n<\/tr>\n
Drive<\/td>2011<\/td>\n<\/tr>\n
Norm Macdonald: Me Doing Standup<\/td>2011<\/td>\n<\/tr>\n
Samsara<\/td>2011<\/td>\n<\/tr>\n
Oslo, August 31st<\/td>2011<\/td>\n<\/tr>\n
5 Broken Cameras<\/td>2011<\/td>\n<\/tr>\n
Rose<\/td>2011<\/td>\n<\/tr>\n
The Tragedy of Man<\/td>2011<\/td>\n<\/tr>\n
George Harrison: Living in the Material World<\/td>2011<\/td>\n<\/tr>\n
The Tree of Life<\/td>2011<\/td>\n<\/tr>\n
Once Upon a Time in Anatolia<\/td>2011<\/td>\n<\/tr>\n
Kotoko<\/td>2011<\/td>\n<\/tr>\n
How to Die in Oregon<\/td>2011<\/td>\n<\/tr>\n
The Act of Killing<\/td>2012<\/td>\n<\/tr>\n
The Hunt<\/td>2012<\/td>\n<\/tr>\n
Django Unchained<\/td>2012<\/td>\n<\/tr>\n
Consuming Spirits<\/td>2012<\/td>\n<\/tr>\n
Puella Magi Madoka Magica the Movie Part II: The Eternal Story<\/td>2012<\/td>\n<\/tr>\n
The Master<\/td>2012<\/td>\n<\/tr>\n
Amour<\/td>2012<\/td>\n<\/tr>\n
Moonrise Kingdom<\/td>2012<\/td>\n<\/tr>\n
Ernest & Celestine<\/td>2012<\/td>\n<\/tr>\n
Florentina Hubaldo, CTE<\/td>2012<\/td>\n<\/tr>\n
Casting Blossoms to the Sky<\/td>2012<\/td>\n<\/tr>\n
A Story of Yonosuke<\/td>2012<\/td>\n<\/tr>\n
Team Fabulous 2<\/td>2012<\/td>\n<\/tr>\n
Out-Takes From the Life of a Happy Man<\/td>2012<\/td>\n<\/tr>\n
Wolf Children<\/td>2012<\/td>\n<\/tr>\n
Modest Mouse: The Lonesome Crowded West<\/td>2012<\/td>\n<\/tr>\n
It's Such a Beautiful Day<\/td>2012<\/td>\n<\/tr>\n
The Tale of the Princess Kaguya<\/td>2013<\/td>\n<\/tr>\n
'Til Madness Do Us Part<\/td>2013<\/td>\n<\/tr>\n
Before Midnight<\/td>2013<\/td>\n<\/tr>\n
Home From Home: Chronicle of a Vision<\/td>2013<\/td>\n<\/tr>\n
Puella Magi Madoka Magica the Movie Part III: The Story of the Rebellion<\/td>2013<\/td>\n<\/tr>\n
Prisoners<\/td>2013<\/td>\n<\/tr>\n
The Wolf of Wall Street<\/td>2013<\/td>\n<\/tr>\n
Her<\/td>2013<\/td>\n<\/tr>\n
Jodorowsky's Dune<\/td>2013<\/td>\n<\/tr>\n
The Wind Rises<\/td>2013<\/td>\n<\/tr>\n
Why Don't You Play in Hell?<\/td>2013<\/td>\n<\/tr>\n
Stray Dogs<\/td>2013<\/td>\n<\/tr>\n
Inside Llewyn Davis<\/td>2013<\/td>\n<\/tr>\n
Nebraska<\/td>2013<\/td>\n<\/tr>\n
Let the Fire Burn<\/td>2013<\/td>\n<\/tr>\n
Center Jenny<\/td>2013<\/td>\n<\/tr>\n
Norte, the End of History<\/td>2013<\/td>\n<\/tr>\n
The Dirties<\/td>2013<\/td>\n<\/tr>\n
Like Father, Like Son<\/td>2013<\/td>\n<\/tr>\n
Listening to the Space in My Room<\/td>2013<\/td>\n<\/tr>\n
Whiplash<\/td>2014<\/td>\n<\/tr>\n
The Grand Budapest Hotel<\/td>2014<\/td>\n<\/tr>\n
The Look of Silence<\/td>2014<\/td>\n<\/tr>\n
From What Is Before<\/td>2014<\/td>\n<\/tr>\n
Nightcrawler<\/td>2014<\/td>\n<\/tr>\n
Song of the Sea<\/td>2014<\/td>\n<\/tr>\n
Birdman or (The Unexpected Virtue of Ignorance)<\/td>2014<\/td>\n<\/tr>\n
Winter Sleep<\/td>2014<\/td>\n<\/tr>\n
Horse Money<\/td>2014<\/td>\n<\/tr>\n
The Raid 2<\/td>2014<\/td>\n<\/tr>\n
Gone Girl<\/td>2014<\/td>\n<\/tr>\n
Ex Machina<\/td>2014<\/td>\n<\/tr>\n
0.5 mm<\/td>2014<\/td>\n<\/tr>\n
Roger Waters The Wall<\/td>2014<\/td>\n<\/tr>\n
Mushishi: The Shadow That Devours the Sun<\/td>2014<\/td>\n<\/tr>\n
What We Do in the Shadows<\/td>2014<\/td>\n<\/tr>\n
Li'l Quinquin<\/td>2014<\/td>\n<\/tr>\n
The Salt of the Earth<\/td>2014<\/td>\n<\/tr>\n
Mommy<\/td>2014<\/td>\n<\/tr>\n
Happy Hour<\/td>2015<\/td>\n<\/tr>\n
Never Get Tired: The Bomb the Music Industry! Story<\/td>2015<\/td>\n<\/tr>\n
Homeland (Iraq Year Zero)<\/td>2015<\/td>\n<\/tr>\n
Mad Max: Fury Road<\/td>2015<\/td>\n<\/tr>\n
Embrace of the Serpent<\/td>2015<\/td>\n<\/tr>\n
World of Tomorrow<\/td>2015<\/td>\n<\/tr>\n
Kaili Blues<\/td>2015<\/td>\n<\/tr>\n
The Witch<\/td>2015<\/td>\n<\/tr>\n
Mushishi: The Next Chapter - Drops of Bells<\/td>2015<\/td>\n<\/tr>\n
Behemoth<\/td>2015<\/td>\n<\/tr>\n
American Reflexxx<\/td>2015<\/td>\n<\/tr>\n
Adam Curtis: Bitter Lake<\/td>2015<\/td>\n<\/tr>\n
Cemetery of Splendour<\/td>2015<\/td>\n<\/tr>\n
The Hateful Eight<\/td>2015<\/td>\n<\/tr>\n
Inside Out<\/td>2015<\/td>\n<\/tr>\n
Slowdive: Souvlaki<\/td>2015<\/td>\n<\/tr>\n
What Happened, Miss Simone?<\/td>2015<\/td>\n<\/tr>\n
Right Now, Wrong Then<\/td>2015<\/td>\n<\/tr>\n
O.J.: Made in America<\/td>2016<\/td>\n<\/tr>\n
The Handmaiden<\/td>2016<\/td>\n<\/tr>\n
Moonlight<\/td>2016<\/td>\n<\/tr>\n
A Bride for Rip Van Winkle<\/td>2016<\/td>\n<\/tr>\n
One More Time With Feeling<\/td>2016<\/td>\n<\/tr>\n
Manchester by the Sea<\/td>2016<\/td>\n<\/tr>\n
A Silent Voice<\/td>2016<\/td>\n<\/tr>\n
HyperNormalisation<\/td>2016<\/td>\n<\/tr>\n
In This Corner of the World<\/td>2016<\/td>\n<\/tr>\n
Kizumonogatari Part 2: Nekketsu<\/td>2016<\/td>\n<\/tr>\n
My House Walk-Through<\/td>2016<\/td>\n<\/tr>\n
My Life as a Zucchini<\/td>2016<\/td>\n<\/tr>\n
I Am Not Your Negro<\/td>2016<\/td>\n<\/tr>\n
Paterson<\/td>2016<\/td>\n<\/tr>\n
Ethel & Ernest<\/td>2016<\/td>\n<\/tr>\n
The Wailing<\/td>2016<\/td>\n<\/tr>\n
Toni Erdmann<\/td>2016<\/td>\n<\/tr>\n
13th<\/td>2016<\/td>\n<\/tr>\n
Blade Runner 2049<\/td>2017<\/td>\n<\/tr>\n
Good Time<\/td>2017<\/td>\n<\/tr>\n
Night Is Short, Walk On Girl<\/td>2017<\/td>\n<\/tr>\n
Phantom Thread<\/td>2017<\/td>\n<\/tr>\n
Kizumonogatari Part 3: Reiketsu<\/td>2017<\/td>\n<\/tr>\n
First Reformed<\/td>2017<\/td>\n<\/tr>\n
The Florida Project<\/td>2017<\/td>\n<\/tr>\n
World of Tomorrow, Episode Two: The Burden of Other People's Thoughts<\/td>2017<\/td>\n<\/tr>\n
LA 92<\/td>2017<\/td>\n<\/tr>\n
Coco<\/td>2017<\/td>\n<\/tr>\n
Paddington 2<\/td>2017<\/td>\n<\/tr>\n
Get Out<\/td>2017<\/td>\n<\/tr>\n
Hanagatami<\/td>2017<\/td>\n<\/tr>\n
Long Strange Trip<\/td>2017<\/td>\n<\/tr>\n
Double King<\/td>2017<\/td>\n<\/tr>\n
Logan<\/td>2017<\/td>\n<\/tr>\n
Goodbye Forever Party<\/td>2017<\/td>\n<\/tr>\n
Call Me by Your Name<\/td>2017<\/td>\n<\/tr>\n
An Elephant Sitting Still<\/td>2018<\/td>\n<\/tr>\n
Spider-Man: Into the Spider-Verse<\/td>2018<\/td>\n<\/tr>\n
Burning<\/td>2018<\/td>\n<\/tr>\n
The Wolf House<\/td>2018<\/td>\n<\/tr>\n
Dead Souls<\/td>2018<\/td>\n<\/tr>\n
Distant Sky<\/td>2018<\/td>\n<\/tr>\n
Shoplifters<\/td>2018<\/td>\n<\/tr>\n
Won't You Be My Neighbor?<\/td>2018<\/td>\n<\/tr>\n
Minding the Gap<\/td>2018<\/td>\n<\/tr>\n
The Favourite<\/td>2018<\/td>\n<\/tr>\n
Roma<\/td>2018<\/td>\n<\/tr>\n
Hereditary<\/td>2018<\/td>\n<\/tr>\n
Amazing Grace<\/td>2018<\/td>\n<\/tr>\n
The Flower<\/td>2018<\/td>\n<\/tr>\n
Liz and the Blue Bird<\/td>2018<\/td>\n<\/tr>\n
Long Day's Journey Into Night<\/td>2018<\/td>\n<\/tr>\n
Matangi \/ Maya \/ M.I.A.<\/td>2018<\/td>\n<\/tr>\n
Happy as Lazzaro<\/td>2018<\/td>\n<\/tr>\n
They Shall Not Grow Old<\/td>2018<\/td>\n<\/tr>\n
Dominion<\/td>2018<\/td>\n<\/tr>\n
Springsteen on Broadway<\/td>2018<\/td>\n<\/tr>\n
Shirkers<\/td>2018<\/td>\n<\/tr>\n
The Lighthouse<\/td>2019<\/td>\n<\/tr>\n
Uncut Gems<\/td>2019<\/td>\n<\/tr>\n
Portrait of a Lady On Fire<\/td>2019<\/td>\n<\/tr>\n
Tux and Fanny<\/td>2019<\/td>\n<\/tr>\n
On-Gaku: Our Sound<\/td>2019<\/td>\n<\/tr>\n
Wasteland<\/td>2019<\/td>\n<\/tr>\n
The Irishman<\/td>2019<\/td>\n<\/tr>\n
Marriage Story<\/td>2019<\/td>\n<\/tr>\n
Vitalina Varela<\/td>2019<\/td>\n<\/tr>\n
Sound of Metal<\/td>2019<\/td>\n<\/tr>\n
The Final Exit of the Disciples of Ascensia<\/td>2019<\/td>\n<\/tr>\n
Where Does a Body End?<\/td>2019<\/td>\n<\/tr>\n
For Sama<\/td>2019<\/td>\n<\/tr>\n
Corpus Christi<\/td>2019<\/td>\n<\/tr>\n
Once Upon a Time... in Hollywood<\/td>2019<\/td>\n<\/tr>\n
Collective<\/td>2019<\/td>\n<\/tr>\n
Knives Out<\/td>2019<\/td>\n<\/tr>\n
Made in Abyss: Wandering Twilight<\/td>2019<\/td>\n<\/tr>\n
Honeyland<\/td>2019<\/td>\n<\/tr>\n
Parasite<\/td>2019<\/td>\n<\/tr>\n
The Father<\/td>2020<\/td>\n<\/tr>\n
David Byrne's American Utopia<\/td>2020<\/td>\n<\/tr>\n
Soul<\/td>2020<\/td>\n<\/tr>\n
World of Tomorrow, Episode Three: The Absent Destinations of David Prime<\/td>2020<\/td>\n<\/tr>\n
Wolfwalkers<\/td>2020<\/td>\n<\/tr>\n
OPAL<\/td>2020<\/td>\n<\/tr>\n
Chunky Shrapnel<\/td>2020<\/td>\n<\/tr>\n
Quo vadis, Aida?<\/td>2020<\/td>\n<\/tr>\n
Twins in Paradise<\/td>2020<\/td>\n<\/tr>\n
Red Post on Escher Street<\/td>2020<\/td>\n<\/tr>\n
The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)<\/td>2020<\/td>\n<\/tr>\n
Another Round<\/td>2020<\/td>\n<\/tr>\n
Lovers Rock<\/td>2020<\/td>\n<\/tr>\n
Drive My Car<\/td>2021<\/td>\n<\/tr>\n
Life of Crime 1984-2020<\/td>2021<\/td>\n<\/tr>\n
Fishmans<\/td>2021<\/td>\n<\/tr>\n
Summer of Soul (\u2026Or, When the Revolution Could Not Be Televised)<\/td>2021<\/td>\n<\/tr>\n
Evangelion:3.0+1.0 Thrice Upon a Time<\/td>2021<\/td>\n<\/tr>\n
Revue Starlight: The Movie<\/td>2021<\/td>\n<\/tr>\n
The Worst Person in the World<\/td>2021<\/td>\n<\/tr>\n
Wheel of Fortune and Fantasy<\/td>2021<\/td>\n<\/tr>\n
Red Rocket<\/td>2021<\/td>\n<\/tr>\n
Mad God<\/td>2021<\/td>\n<\/tr>\n
Memoria<\/td>2021<\/td>\n<\/tr>\n
The Velvet Underground<\/td>2021<\/td>\n<\/tr>\n
Vortex<\/td>2021<\/td>\n<\/tr>\n
The Sparks Brothers<\/td>2021<\/td>\n<\/tr>\n
Gintama: The Final<\/td>2021<\/td>\n<\/tr>\n
The Beatles: Get Back \u2013 The Rooftop Concert<\/td>2022<\/td>\n<\/tr>\n
Hundreds of Beavers<\/td>2022<\/td>\n<\/tr>\n
Aftersun<\/td>2022<\/td>\n<\/tr>\n
The Banshees of Inisherin<\/td>2022<\/td>\n<\/tr>\n
Everything Everywhere All at Once<\/td>2022<\/td>\n<\/tr>\n
Puss in Boots: The Last Wish<\/td>2022<\/td>\n<\/tr>\n
T\u00e1r<\/td>2022<\/td>\n<\/tr>\n
RRR<\/td>2022<\/td>\n<\/tr>\n
The Fire Within: A Requiem for Katia and Maurice Krafft<\/td>2022<\/td>\n<\/tr>\n
Kaguya-sama: Love Is War -The First Kiss That Never Ends-<\/td>2022<\/td>\n<\/tr>\n
The First Slam Dunk<\/td>2022<\/td>\n<\/tr>\n
All the Beauty and the Bloodshed<\/td>2022<\/td>\n<\/tr>\n
Spider-Man: Across the Spider-Verse<\/td>2023<\/td>\n<\/tr>\n
Perfect Days<\/td>2023<\/td>\n<\/tr>\n
Monster<\/td>2023<\/td>\n<\/tr>\n
The Holdovers<\/td>2023<\/td>\n<\/tr>\n
Poor Things<\/td>2023<\/td>\n<\/tr>\n
Anatomy of a Fall<\/td>2023<\/td>\n<\/tr>\n
Killers of the Flower Moon<\/td>2023<\/td>\n<\/tr>\n
Black Country, New Road: Live at Bush Hall<\/td>2023<\/td>\n<\/tr>\n
The Boy and the Heron<\/td>2023<\/td>\n<\/tr>\n
Do Not Expect Too Much From the End of the World<\/td>2023<\/td>\n<\/tr>\n
20 Days in Mariupol<\/td>2023<\/td>\n<\/tr>\n
The Zone of Interest<\/td>2023<\/td>\n<\/tr>\n
About Dry Grasses<\/td>2023<\/td>\n<\/tr>\n
Close Your Eyes<\/td>2023<\/td>\n<\/tr>\n
Renaissance: A Film by Beyonc\u00e9<\/td>2023<\/td>\n<\/tr>\n
Oppenheimer<\/td>2023<\/td>\n<\/tr>\n
Red Rooms<\/td>2023<\/td>\n<\/tr>\n
Godzilla Minus One<\/td>2023<\/td>\n<\/tr>\n
Robot Dreams<\/td>2023<\/td>\n<\/tr>\n
Past Lives<\/td>2023<\/td>\n<\/tr>\n
Ryuichi Sakamoto | Opus<\/td>2023<\/td>\n<\/tr>\n
Sing Sing<\/td>2023<\/td>\n<\/tr>\n
The Mask<\/td>2023<\/td>\n<\/tr>\n
The Iron Claw<\/td>2023<\/td>\n<\/tr>\n
No Other Land<\/td>2024<\/td>\n<\/tr>\n
Dune: Part Two<\/td>2024<\/td>\n<\/tr>\n
Nickel Boys<\/td>2024<\/td>\n<\/tr>\n
Castration Movie Anthology i: Traps<\/td>2024<\/td>\n<\/tr>\n
Look Back<\/td>2024<\/td>\n<\/tr>\n
Rap World<\/td>2024<\/td>\n<\/tr>\n
I'm Still Here<\/td>2024<\/td>\n<\/tr>\n
Flow<\/td>2024<\/td>\n<\/tr>\n
Memoir of a Snail<\/td>2024<\/td>\n<\/tr>\n
Anora<\/td>2024<\/td>\n<\/tr>\n
Soundtrack to a Coup d'Etat<\/td>2024<\/td>\n<\/tr>\n
Hard Truths<\/td>2024<\/td>\n<\/tr>\n
Furiosa: A Mad Max Saga<\/td>2024<\/td>\n<\/tr>\n
Youth (Hard Times)<\/td>2024<\/td>\n<\/tr>\n
The Brutalist<\/td>2024<\/td>\n<\/tr>\n
Nirvanna the Band the Show the Movie<\/td>2025<\/td>\n<\/tr>\n
Marty Supreme<\/td>2025<\/td>\n<\/tr>\n
Chainsaw Man: The Movie - Reze Arc<\/td>2025<\/td>\n<\/tr>\n
One Battle After Another<\/td>2025<\/td>\n<\/tr>\n
Resurrection<\/td>2025<\/td>\n<\/tr>\n
2000 Meters to Andriivka<\/td>2025<\/td>\n<\/tr>\n
A Poet<\/td>2025<\/td>\n<\/tr>\n
Obsession<\/td>2025<\/td>\n<\/tr>\n
The Secret Agent<\/td>2025<\/td>\n<\/tr>\n
It Was Just an Accident<\/td>2025<\/td>\n<\/tr>\n
No Other Choice<\/td>2025<\/td>\n<\/tr>\n
Bugonia<\/td>2025<\/td>\n<\/tr>\n
Sentimental Value<\/td>2025<\/td>\n<\/tr>\n
Louis Theroux: The Settlers<\/td>2025<\/td>\n<\/tr>\n
Little Am\u00e9lie or the Character of Rain<\/td>2025<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Zosta\u0144 po napisach Zosta\u0144 po napisach to ksi\u0105\u017cka o filmach, kt\u00f3ra bardzo cz\u0119sto przestaje by\u0107 ksi\u0105\u017ck\u0105 o filmach. Zebra\u0142em w niej 250 esej\u00f3w po\u015bwi\u0119conych […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-custom.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1525","page","type-page","status-publish","hentry"],"acf":{"choi\u0441e_menu_page":"custom_menu_page","full_width":false,"header_transparent":true,"header_white":true,"menu_type_page":"button","menu_align_page":"default"},"_links":{"self":[{"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/pages\/1525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/comments?post=1525"}],"version-history":[{"count":22,"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/pages\/1525\/revisions"}],"predecessor-version":[{"id":15562,"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/pages\/1525\/revisions\/15562"}],"wp:attachment":[{"href":"https:\/\/marcinkubicki.com\/en\/wp-json\/wp\/v2\/media?parent=1525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}